Court filing
Redacted Joint Appendix — Concert Investor v. SBA (D.D.C.)
Summary
Redacted Joint Appendix filed 03/20/26 as Document 132-1 in Case 1:21-cv-03150-CJN, the Concert Investor, LLC dispute with the SBA over a Shuttered Venue Operators Grant (SVOG). It includes an SBA Salesforce action item for Concert Investor, LLC recording an appeal of the decline decision on its SVOG application, due 8/17/2021,. Listed attachments include Twenty One Pilots tour files and 2019 invoices, and a press page on a Judah & the Lion tour follows. A closing letter from Matthew Stevens, Director of the Shuttered Venue Operators Grant Program, states that Concert Investor is involved solely with lighting and sound, that its limited services do not meet SVOG eligibility requirements, and that this is the final decision of SBA.
Summary drafted by a model from the document's text below and checked by script against that text before publication. It is a navigation aid, not a reading of what the document proves. Where AI is used
Filed March 20, 2026 in Concert Investor v. SBA; one of 5 filings from this case.
Record facts
| Court | U.S. District Court for the District of Columbia |
|---|---|
| Filed | 2026-03-20 |
Cite this document
“Redacted Joint Appendix — Concert Investor v. SBA (D.D.C.).”
U.S. District Court for the District of Columbia, No. 1:21-cv-03150-CJN, Doc. 132-1, filed 2026-03-20. Archived at Pandemic Darlings, https://pandemicdarlings.com/court-filings/concert-investor-v-sba/2026-03-20-redacted-joint-appendix/
, SHA-256 bf7614a869992e9c73ed64ebff54b457ad6137ce2a724d3130aeedd58a1cd8bc.Full text
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1/28/22, 9:48 AM AI-00029889 ~ Salesforce - Unlimited Edition
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AI-00029889
Action Item Name AI-00029889
Funding Request Concert Investor, LLC - SVOG Type Eligible for an SVOG Appeal
Subject Appeal your SVOG Decision Status Completed
Description
Appeal your SVOG Decision by 8/17/2021 at 8 PM PT
You have the option to appeal the decline decision on your SVOG application. If you would like to file an
appeal, please complete this Action Item.
4506-T Cure Information
Name on Tax Billing State
Transcript
EIN Billing Postal Code
Tax Form Type
Requirement Q&A
Date Business Began Recon 2.0 DBBO
Operation (Original) (Grantee)
Requirement Question Would you like to appeal your decision? Requirement Answer Yes
1 1
Requirement Question With which type of entity would you like Requirement Answer Live Performing Arts Organization
2 to proceed as? 2 Operator
Requirement Question I hereby certify UNDER PENALTY OF Requirement Answer Yes
3 PERJURY UNDER THE LAWS OF THE 3
UNITED STATES that the above is true
and correct and attest that I have
submitted my entity's SAM.gov
Registration.
Requirement Question Requirement Answer
4 4
Requirement Question Requirement Answer
5 5
Requirement Question Requirement Answer
6 6
Requirement Question Requirement Answer
7 7
Requirement Question Requirement Answer
8 8
Requirement Question Requirement Answer
9 9
Requirement Question Requirement Answer
10 10
Supplemental Response
https://sbaodagrants.my.salesforce.com/a8ot0000000ot6pAAA/p 1/5
000046
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1/28/22, 9:48 AM AI-00029889 ~ Salesforce - Unlimited Edition
Grantee Verified
Supplemental Grant
Amt
Authorized Certifying Official Information
First Name Phone
Middle Name Title
Last Name
Basis of Accounting
Basis of Accounting
System Information
Due Date 8/17/2021 Reminder Notification 8/17/2021
Date
Created By SVOG Service Account, 8/2/2021, 2:00 Last Modified By Justin Roddick, 8/13/2021, 2:08 PM
PM
Files
Concert Investors Check List SVOG Appeal CreativeInvestorLLC_SVOGAppealsPrepWorksheet_08.16.2021
Decision Checklist FINAL -- Live Venue Operator, Last Modified 8/16/2021, 6:04 AM
Promoter, Theatrical Producer, Organization
Created By Muhammad Ali
Operator
Last Modified 8/19/2021, 4:15 PM
Floor Layout for Arena - Twenty One Pilots - Barclays
Created By Cynthia Harris
Last Modified 8/13/2021, 2:12 PM
Created By SVOG Service Account
Twenty One Pilots announce Pepsi Center
concert 9news.com
Last Modified 8/13/2021, 2:12 PM 2019-2021 Quarterly Financials Part II
Created By SVOG Service Account Last Modified 8/13/2021, 2:12 PM
Created By SVOG Service Account
1 of 4 - 2019 Invoices
Last Modified 8/13/2021, 2:12 PM
SVOG justification letter FINAL
Created By SVOG Service Account Last Modified 8/13/2021, 2:12 PM
Created By SVOG Service Account
Revised SVOG Budget 2021-2022
Last Modified 8/13/2021, 2:12 PM 3 of 4 - 2019 Invoices
Created By SVOG Service Account Last Modified 8/13/2021, 2:12 PM
Created By SVOG Service Account
Roddick and Slezinger ID
Last Modified 8/13/2021, 2:12 PM Twenty One Pilots 2018-2019 Bandito Tour Box Office
Created By SVOG Service Account Last Modified 8/13/2021, 2:12 PM
Created By SVOG Service Account
Form 1711
Last Modified 8/13/2021, 2:12 PM VER COI
Created By SVOG Service Account Last Modified 8/13/2021, 2:11 PM
Created By SVOG Service Account
The Band Camino 6-22-19 v1
Last Modified 8/13/2021, 2:11 PM TOP MILWAUKEE
Created By SVOG Service Account Last Modified 8/13/2021, 2:11 PM
Created By SVOG Service Account
CPA Comfort Letter
TOP 2018-2019 Redline Contract
https://sbaodagrants.my.salesforce.com/a8ot0000000ot6pAAA/p 2/5
000047
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Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
include their biggest hometown play yet at Nashville’s A s c e n d
A m p h i t h e a t e r on August 24thbefore continuing to most major markets
through mid-November. Pre-sales begin tomorrow, March 5thand general on-
sale begins on Friday, March 8that 10am local time. VIP packages, including a
meet & greet and exclusive tour poster, will be available beginning Tuesday,
March 5th. Citi is the official presale credit card for the tour. As such, Citi
cardmembers will have access to purchase presale tickets beginning
Tuesday, March 5that 10 AMlocal time until Thursday, March 7that 10 PM local
time through Citi’s Private Pass program. For complete presale details
visit www.citiprivatepass.com. For full dates, see below and for more
information and tickets, visit www.judahandthelion.com.
Today, the band is also thrilled to announce that it will perform its Alternative
Top 10 single “O v e r m y h e a d ” on J i m m y K i m m e l L i v e ! ’s Outdoor Stage on
Tuesday, March 19th. Fans can attend the taping by entering H E R E !
Judah & the Lion have released another new track from the forthcoming Pep
Talks,“ W h y D i d Yo u R u n? ” – out today and available via your preferred
listening service.
“The first verse is about me getting a call from my mom when she was in jail
but I didn’t know what to do or say. And, of course, right after I called my dad
but he didn’t answer and it felt like a very lonely moment. It was like, ‘Oh, I’m
in the world alone.’ I imagined how hard it’d be to be a 13-year-old kid dealing
with a divorce, because here I am, a 25-year-old, and it just rocked me.”
– Judah Akers on “Why Did You Run?”
Rounded Rectangle: CLICK HERE TO LISTEN TO “WHY DID YOU RUN?”
The album, which includes the previously released single “O v e r m y h e a d ,”
“Q u a r t e r - L i f e C r i s i s ,” “Pe p Ta l k s ,” and last week’s critically-acclaimed
“p i c t u r e s ( f e a t . Ka c e y M u s g r a v e s ) ,” also includes assists from former
touring mate J o n B e l l i o n and D a r r e n K i n g (ex-M u t e m a t h ). Full tracklisting
and art below. Fans can pre-order the album starting today
via https://JATL.lnk.to/peptalks.
In addition, Judah & the Lion will play two showcases at this year’s S X S W –
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Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
March 9that A Night of Sweet Innovation Presented by Dell Small Business
and Tiff’s Treats hosted by B r o o k l y n D e c ke r & A n d y Ro d d i c k and March
14that StubHub’s Sound Stage hosted by C O L L i D E at Banger’s Sausage &
Beer Garden.
Before hitting the road this summer, the band is bringing Pe p Ta l k s : A n
I n t i m a t e A l b u m L i s t e n i n g a n d St o r y t e l l i n g E x p e r i e n c e P r e s e n t e d b y
J u d a h & t h e L i o n to six cities across the southeast this April. At each
event,J u d a h A ke r s , B r i a n M a c d o n a l d , andN a t e Z u e r c h e r will be on hand
to tell the story behind Pep Talks,giving fans an exclusive, intimate listening
experience ahead of the release. Remaining tickets are limited with events in
Athens, GA and Knoxville, TN already sold-out.
For tickets and the most up to date information, please
visit www.judahandthelion.com.
Pep Talks
May 3, 2019
Cletus the Van/Caroline
PREORDER
1. Pep Talk
2. Quarter-Life Crisis
3. Why Did You Run?
4. i’m ok.
5. pictures (feat. Kacey Musgraves)
6. Over my head
7. Queen Songs / human.
8. Don’t Mess with My Mama
9. 7000x
10. Alright (frick it!)
11. GoofBallerz
12. JOYBOY
13. Passion Fashion (feat. Jon Bellion)
14. Dance with Ya
15. Family / Best is Yet to Come
16. sportz
17. 17
J u d a h & t h e L i o n M i l w a u k e e A d m i r a l s Po s t G a m e Pe r f o r m a n c e
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Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
March 8 @ Summerfest Stage at Panther Arena following The Admirals Game,
7pm, more info HERE
Judah & the Lion at SXSW
March9 @ SXSW in Austin, TX
A N i g h t o f S w e e t I n n o v a t i o n P r e s e n t e d b y D e l l S m a l l B u s i n e s s & T i ff ’s
Tr e a t s
Hosted by Brooklyn Decker & Andy Roddick
310 East 3rdStreet
March 14 @ SXSW in Austin, TX
St u b H u b S o u n d St a g e
Hosted by COLLiDE on Rainey
Banger’s Sausage House & Beer Garden | 79 Rainey Street
Pe p Ta l k s : A n I n t i m a t e A l b u m & L i s t e n i n g E x p e r i e n c e
April16 @ Jefferson Theater in Charlottesville, VA
April 17@ Bijou Theatre in Knoxville, TN ( S O L D O U T )
April 18 @ 40 Watt Club in Athens, GA ( S O L D O U T )
April 23 @ Rudder Theatre in College Station, TX
April 24 @ George’s Majestic Lounge in Fayetteville, AR
April 25@ Blue Note in Columbia, MO
Summer US Festivals
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Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
May11 @ Hope Givers Mental Wellness & Music Fest in LaGrange, GA
May 17 @ Hangout Music Festival in Gulf Shores, AL
May 18@ Wildflower! Arts & Music Festival in Richardson, TX
July 12 @ Forecastle Festival @ Louisville, KY
Pe p Ta l k s Wo r l d w i d e To u r
July 16 @ King Tut’s Wah Wah Hut in Glasgow, UK
July 17@ Workman’s Club in Dublin, IE
July 19 @ Oslo in London, UK
July 21 @ Lollapalooza Paris in Paris, FR
July 24 @ Paradiso (Upstairs Hall) in Amsterdam, NL
July 25@ Knust in Hamburg, DE
July 26@ Lido in Berlin, DE
August 10@ Starlight Amphitheatre in Kansas City, MO
August 13@ Red Rocks Amphitheatre in Morrison, CO*
August 14 @ Pinewood Bowl in Lincoln, NE
August 16@ Farm Bureau Insurance Lawn at White River State Park in
Indianapolis, IN
August 17@ Jacob’s Pavilion at Nautica in Cleveland, OH
August 21@ Legacy Arena at the BJCC in Birmingham, AL
August 22 @ Charlotte Metro Credit Union Amphitheatre in Charlotte, NC
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Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
August 23@ Red Hat Amphitheater in Raleigh, NC
August 24@ Ascend Amphitheater in Nashville, TN
September5 @ Express Live! in Columbus, OH*
September 6@ Stage AE in Pittsburgh, PA*
September 7 @ Portsmouth Pavilion in Portsmouth, VA
September 8@ Bon Secours Wellness Arena in Greenville, SC
September 12@ The Anthem in Washington, DC*
September 13@ The Met in Philadelphia, PA
September 14@ House of Blues in Boston, MA
September 20@ Terminal 5 in New York, NY*
September 27@ 20 Monroe Live in Grand Rapids, MI
September 28@ The Fillmore in Detroit, MI
October1 @ The Pageant in St. Louis, MO
October 2@ The Pageant in St. Louis, MO
October 3@ Brady Theater in Tulsa, OK*
October 15@ The Union in Salt Lake City, UT*
October 16@ The Van Buren in Phoenix, AZ
October 17@ The Observatory in San Diego, CA
October 18@ The Wiltern in Los Angeles, CA
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Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
October 21@ Roseland Theatre in Portland, OR*
October 23@ The Paramount Theatre in Seattle, WA
October 24 @ The Orpheum in Vancouver, BC
October 26@ MacEwan Hall in Calgary, AB
October 27@ Union Hall in Edmonton, AB
October 31@ Palace Theatre in St. Paul, MN*
November7@ House of Blues in Orlando, FL
November 8@ Coca-Cola Roxy in Atlanta, GA
*not a Live Nation date
St a y C o n n e c t e d t o J u d a h & t h e L i o n
Web| Instagram| Facebook| Twitter| Apple Music| Spotify| YouTube
F o r m o r e i n f o r m a t i o n p l e a s e c o n t a c t St u n t C o m p a n y :
Sue Marcus – 718-222-8963 or sue@stuntcompany.com
Lindsay Bailey – 718-222-1746 ext. 403 or lindsay@stuntcompany.com
Tyler Soucy – 718-222-1746 ext. 404 or tyler@stuntcompany.com
About Live Nation Entertainment:
Live Nation Entertainment (NYSE: LYV) is the world’s leading live
entertainment company comprised of global market leaders: Ticketmaster,
Live Nation Concerts, and Live Nation Sponsorship. For additional information,
visit www.livenationentertainment.com.
F o r L i v e N a t i o n U. S . C o n c e r t s , p l e a s e c o n t a c t :
7 of 8 3/8/21, 10:27 AM
000430
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 138 of 508
Judah & the Lion Announce 'Pep Talks' Worldwide Tour - Live Na... https://www.livenationentertainment.com/2019/03/judah-the-lion-...
Emily Bender, EmilyBender@livenation.com
Monique Sowinski, MoniqueSowinski@livenation.com
R EA D M O R E A BO UT
CO RPO RATE
About Careers Resources Apps
Biz at LN Life at Live Nation News
Empowered by LN Work at Live Nation Investors
Leadership Leadership
Contact
TERM S OF USE / PR IVACY POLICY / GLO BAL S IT E S
© 2021 LIVE NAT ION W OR LDW IDE, INC. ALL R IGHT S R ESER VED. B Y CONT INUING PAST T HIS PAG
8 of 8 3/8/21, 10:27 AM
000431
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 139 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 140 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 141 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 142 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 143 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 144 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 145 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 146 of 508
000439
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 147 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 148 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 149 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 150 of 508
000443
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 151 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 152 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 153 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 154 of 508
000447
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 155 of 508
x x x x
REPLACE REPLACE
CANADA CANADA replaced
replaced let go Feb 16
000448
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 156 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 157 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 158 of 508
000451
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 159 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 160 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 161 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 162 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 163 of 508
000456
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 164 of 508
000457
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 165 of 508
000458
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 166 of 508
labor
gear
000459
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 167 of 508
VER ORDER NUMBER
ON LEFT SIDE OF INVOICE
A1773096
A1773481
A1773483
A1778953
A1778963
A1778968
A1778977
A1778983
A1778986
A1778989
A1778991
A1780396
A1780397
A1780400
A1780402
A1780403
A1780404
A1780406
A1780408
A1780409
A1780410
A1780411
A1780412
A1780413
A1780414
A1780416
A1780417
A1780418
A1780419
A1780420
A1780421
A1781589
A1781600
A1781607
A1781610
000460
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 168 of 508
A1781615
A1781621
A1781626
A1781627
A1781629
A1781631
A1781634
A1781636
000461
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 169 of 508
000462
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 170 of 508
000463
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 171 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 172 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 173 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 174 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 175 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 176 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 177 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 178 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 179 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 180 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 181 of 508
LINKED
TAIT
TAIT
TAIT
SYMMETRY LABS
GLOW MOTION
VER
ROSEBRAND
Harlequin Tape
HIGHEND TV
Tour Insurance Estimate
DRIVEN (actual reciepts equal 42,519.53)
TANTRUM
/ COMPUTERS/VER ROOM/ symmetry programming?
INTERNAL
Bruce
3D ROBERT
000474
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 182 of 508
000475
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 183 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 184 of 508
000477
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 185 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 186 of 508
000479
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 187 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 188 of 508
000481
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 189 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 190 of 508
000483
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 191 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 192 of 508
000485
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 193 of 508
spot tab - built into lighting payroll
week 11&12
week 13 & 14
week 15 & 16
week 23 & 24
Week 25 & 26
Week 27 & 28
total spent
left to spend
000486
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 194 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 195 of 508
no longer a camera operator (this is total of all shows he worked)
000488
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 196 of 508
LA HOTEL
(to cover for while at funeral) $
Daniel's expense report for reharsals, dallas, la, new york $
to Europe
Justin and Daniel Italy $
000489
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 197 of 508
printed includes flight, per diem, rate
000490
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 198 of 508
CONSUMABLES BUDGET UNDER ONE TIME COSTS IS $
AMOUNT
STRICTLY - Confetti $
Nate overlap in Europe $
000491
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 199 of 508
INVOICE #
1068T
ESTIMATE
000492
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 200 of 508
DAMAGES BUDGET
Fabrics getting sprayed chemicals in Europe
Tyler Shapard Design Fee
Gallagher Cart repair… difference that they didn't pay
Wembley Rigger (1300 pounds to dollars)
Symmetry Kansas City Sam Costigan flight hotel
Fixture sub rentals for North American run
000493
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 201 of 508
$
$ ESTIMATE
$ ESTIMATE
$ Actual
$ Actual
$ Actual
$ Actual
000494
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 202 of 508
restof is in one time 2019 tab
TOP paid of a bill
moved to one time costs
000495
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 203 of 508
000496
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 204 of 508
TOP 9,1-TBD USA
ARTIST PARTY
NAME NICKNAME POSITION
ARTIST PARTY
ARTIST/SINGER
TYLER'S SPOUSE
ARTIST/DRUMMER
JOSH'S GIRLFRIEND
Personal Assistant
CREATIVE / SOCIAL VISIONARY
ARTIST SECURITY
ROAD MANAGER
ARTIST PHOTOGRAPHER
LIGHTING DIRECTOR
CREW PARTY
TWENTY ONE PILOTS STAFF
TOUR MANAGER
PRODUCTION MANAGER
ASSISTANT TOUR MANAGER/MERCH
PRODUCTION COORDINATOR
PRODUCTION ASSISTANT
STAGE MANAGER
BACKLINE - GUITARS, KEYS
BACKLINE - DRUMS
BACKLINE - PLAYBACK
VENUE SECURITY DIRECTOR
VENUE SECURITY #2
FOH MIXER
MONITOR MIXER
SFX SHOOTER
MERCH ASST
CARP/RIGGER
HEAD CARPENTER
CARPENTER
CARPENTER
DECK OPERATOR
FLOOR MANAGER
VENDOR STAFF
AUDIO CREW CHIEF / SYSTEMS
AUDIO PA SR
AUDIO PA SL
BIRTHDAY)
AUDIO MONITORS TECH
RF/COMMS TECH
000497
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 205 of 508
LIGHTING CREW CHIEF
LX 1 - FOH DIMMERS
LX 2 - SR DIMMERS
LX 3 - SL DIMMERS
LX 4 - STAGE 1
LX 5 - DOCK MASTER
LX 6 - HOUSE 2
LX 7 - HOUSE 1
LX 8
VIDEO CREW CHIEF / SERVERS
VIDEO DIRECTOR
VIDEO ENGINEER
LED 1 / PIT HANDHELD
LED 2 / SL HANDHELD
LED 3 / FOH LL
PROJECTIONIST 1 / FOH LL
PROJECTIONIST 2
PROJECTION UTILITY
RIGGER
RIGGER
RIGGER
HEAD OF AUTOMATION
RIGGING AUTOMATION 1
RIGGING AUTOMATION 2
RIGGING AUTOMATION 3
RIGGING AUTOMATION 4
PYRO TECHNICIAN
LASER OPERATOR
PYRO TECHNICIAN
CARP/RIGGER
LED KINETIK
KINETIK
TOUR ELECTRICIAN
PROGRAMMER/TECH
PROMOTER REP
Tyler Driver
Josh Driver
Crew 1 driver/Lead crew driver
Crew 2 driver
Crew 3 driver
Crew 4 driver
Crew 5 driver
Crew 6 driver
000498
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 206 of 508
000499
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 207 of 508
EMPLOYER EMAIL
BOSS
-
BOSS
-
TWENTY ONE PILOTS
STS Global
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
ATAA
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
STS Global
STS Global
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
VER
TWENTY ONE PILOTS
TWENTY ONE PILOTS
VER
VER
VER
VER
VER
000500
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 208 of 508
CONCERT INVESTOR
VER
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
VER
VER
VER
VER
VER
CONCERT INVESTOR
VER
VER
VER
VER
VER
VER
VER
VER
STRICTLY FX (CI)
STRICTLY FX (CI)
STRICTLY FX (CI)
GLOW MOTION (CI)
GLOW MOTION (CI)
STAGE KINETIK (CI)
CAT POWER (CI)
SYMMETRY LABS (CI)
LIVE NATION
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
000501
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 209 of 508
000502
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 210 of 508
CELL PHONE BUS ASSIGNMENT ARRIVAL CITY
ARRIVAL DATE
CREW 1
CREW 1
CREW 1
CREW 1
CREW 1
CREW 1
CREW 2
CREW 2
CREW 2
CREW 1
CREW 2
CREW 2
CREW 2
CREW 2
CREW 2
CREW 3
CREW 3
CREW 3
CREW 3
CREW 1
CREW 3
CREW 3
CREW 3
CREW 3
CREW 3
000503
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 211 of 508
CREW 4
CREW 4
CREW 4
CREW 4
CREW 4
CREW 4
CREW 4
CREW 4
CREW 4
CREW 5
CREW 5
CREW 5
CREW 5
CREW 5
CREW 5
CREW 5
CREW 5
CREW 5
CREW 4
CREW 4
CREW 5
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 6
CREW 2
CREW 3
CREW 2
CREW 1
CREW 2
CREW 3
CREW 4
CREW 5
CREW 6
000504
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 212 of 508
000505
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 213 of 508
TOP 12,3-12,23 AUS/NZ
ARTIST PARTY
# NAME
ARTIST PARTY
CREW PARTY
TWENTY ONE PILOTS STAFF
000506
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 214 of 508
LIVE NATION AUSTRALIA STAFF
000507
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 215 of 508
NICKNAME POSITION
ARTIST/SINGER
TYLER'S SPOUSE
ARTIST/DRUMMER
JOSH'S GIRL
ARTIST PHOTOGRAPHER
ROAD MANAGER
ARTIST SECURITY
CREATIVE / SOCIAL VISIONARY
TOUR MANAGER
PRODUCTION MANAGER
ASSISTANT TOUR MANAGER/MERCH
PRODUCTION COORDINATOR
PRODUCTION ASSISTANT
LIGHTING DIRECTOR
STAGE MANAGER
BACKLINE - GUITARS, KEYS
BACKLINE - DRUMS
BACKLINE - PLAYBACK
VENUE SECURITY DIRECTOR
VENUE SECURITY #2
FOH MIXER
MONITOR MIXER
SFX SHOOTER
CARPENTER
FLOOR MANAGER
CARPENTER
DECK OPERATOR
CARPENTER
CARPENTER
AUDIO CREW CHIEF / SYSTEMS
AUDIO PA SR
AUDIO PA SL
000508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 216 of 508
AUDIO MONITORS TECH
RF/COMMS TECH
LIGHTING CREW CHIEF
LX 2 - SR DIMMERS
LX 3 - SL DIMMERS
LX 4 - STAGE 1
LX 5 - DOCK MASTER
LX 6 - HOUSE 2
LX 2
VIDEO CREW CHIEF / SERVERS
VIDEO DIRECTOR
VIDEO ENGINEER
LED 1 / PIT HANDHELD
LED 2 / SL HANDHELD
LED 3 / FOH LL
RIGGER
RIGGER
RIGGER
HEAD OF AUTOMATION
AUTOMATION OPERATOR
AUTOMATION RIGGER
PYROTECHNICIAN
LASERS/SFX
PROGRAMMER/CARP
SFX TECH
ELECTRICIAN
LED / FOH LL
LED
not going to AUS/NZ, but stay on Concert Investor/VER tour payroll
000509
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 217 of 508
EMPLOYER EMAIL
BOSS
-
BOSS
-
TWENTY ONE PILOTS
TWENTY ONE PILOTS
STS Global
TWENTY ONE PILOTS
ATAA
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
STS Global
STS Global
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
TWENTY ONE PILOTS
VER
VER
VER
000510
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 218 of 508
VER
VER
CONCERT INVESTOR
MPH
CONCERT INVESTOR
CONCERT INVESTOR
MPH
CONCERT INVESTOR
CONCERT INVESTOR
CONCERT INVESTOR
VER
VER
CONCERT INVESTOR
VER
VER
VER
VER
VER
VER
VER
VER
VER
STRICTLY FX (CI)
STRICTLY FX (CI)
SYMMETRY LABS (CI)
STRICTLY FX (CI)
CAT POWER (CI)
BIG PICTURE
BIG PICTURE
not going to AUS/NZ, but stay on Concert Investor/VER tour payroll
000511
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 219 of 508
CELL PHONE ARRIVAL DATE AA Flyer #
ARRIVAL CITY
000512
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 220 of 508
000513
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 221 of 508
Meal
Seat Preference
Window Any
Window Any
Aisle Any
Window Any
Window Pescatarian
Aisle Any
Window Any
Window Any
Aisle Any
Window Any
Aisle Any
Aisle Any
Aisle Any
Aisle Any
Window Any
Window Any
Aisle Any
Window Vegan
Aisle Any
Window Any
Window Any
Window Any
Aisle Vegetarian
Window Any
Aisle Any
Aisle Any
Window Any
Aisle Any
WIndow Any
Window Any
Aisle Any
Window Any
000514
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 222 of 508
Window Any
Aisle Any
Window Any
Window Any
Window Any
Aisle Any
Aisle Any
Window Any
Window Any
Window Any
Window Any
Aisle Any
Window Any
Window Any
Aisle Any
Aisle Any
Window Any
Aisle Any
Window Any
Aisle Any
Window Any
Window Any
Window Any
Window Any
Window Any
000515
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 223 of 508
TOP
ARTIST PARTY
NAME POSITION
ARTIST PARTY
A1 Artist/Singer
A2 Tyler's Spouse
A3 Artist/Drummer
A4 Josh's Spouse
A5 Social Media/Creative
A6 Artist Party Security
A7 Road Manager
A8 Photographer
A9 Guitar Tech/Studio Tech
CREW PARTY
TWENTY ONE PILOTS STAFF
Tour Manager
Production Manager
Production Director
ATM/Merch Manager
Production Coordinator
Production Assistant
Production Stage Manager
Dressing Room and Wardrobe
Stage Manager
Drum Tech
Playback Tech
Venue Security Director
Venue Security #2
Lighting Director
FOH Mixer
Monitor Mixer
Cryo Shooter
Merch #2
Lead Rigger
Rigger 2
Rigger 3
Carpenter/Rigger
Lead Carpenter
Deck Operator
Carpenter
Carpenter
TBC
Dressing Room Truck Driver
000516
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 224 of 508
VENDOR STAFF
FOH System tech
Audio PA SL
Audio PA SR
Monitor Tech
RF Tech
FOH Tech
Lighting Crew Chief
LX 2 - SR Dimmers
LX 3 - SL Dimmers
LX 5 - Dock Master
LX - 6
LX 7 - House 1
LX 8
Video Crew Chief
Video Director
Video Engineer
LED 1 / PIT Handheld
LED 2 / SL Handheld
LED 3 / FOH LL
Projectionist
Head of Automation
Rigging Automation 2
Rigging Automation 3
Pyro Technician
Pyro Technician
Laser Operator
LED Cart Tech
LED Kinetik
Kinetik
Tour Electrician
Promoter Rep
Tyler Driver
Josh Driver
Band Aids Driver
Crew 1 Driver/Lead Driver
Crew 2 driver
Crew 3 driver
Crew 4 driver
Crew 5 driver
000517
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 225 of 508
9 Crew 6 driver
1 Lead Truck Driver
2 Truck #2
3 Truck #3
4 Truck #4
5 Truck #5
6 Truck #6
7 Truck #7
8 Truck #8
9 Truck #9
10 Truck #10
11 Truck #11
12 Truck #12
13 Truck #13
14 Truck #14
15 Truck #15
16 Truck #16
17 Truck #17
18 Truck #18
19 Truck #19
20 Truck #20
21 Truck #21 (Merch 1)
22 Truck #22 (Merch 2)
000518
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 226 of 508
EMPLOYER EMAIL
Twenty One Pilots
-
Twenty One Pilots
-
Twenty One Pilots
STS Global
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
ATAA
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
TBC
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
STS Global
STS Global
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
Twenty One Pilots
000519
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 227 of 508
VER (CI)
VER (CI)
VER (CI)
VER (CI)
VER (CI)
VER (CI)
VER (CI)
VER (CI)
Concert Investor
VER (CI)
Concert Investor
Concert Investor
Concert Investor
Concert Investor
Concert Investor
VER (CI)
Concert Investor
VER (CI)
Concert Investor
VER (CI)
VER (CI)
VER (CI)
Strictly FX (CI)
Strictly FX (CI)
Strictly FX (CI)
Concert Investor
Glow Motion (CI)
Stage Kinetic (CI)
Cat Power (CI)
Live Nation
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
Pioneer Coach
000520
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 228 of 508
Pioneer Coach
000521
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 229 of 508
CELL PHONE BUS ASSIGNMENT
Band 1
Band 1
Band 2
Band 2
Band Aids
Band Aids
Band Aids
Band Aids
Band Aids
Crew 6
Crew 1
Crew 1
Crew 6
Crew 1
Crew 1
Crew 1
Crew 1
Crew 1
Crew 6
Crew 6
Crew 1
Crew 6
Crew 6
Crew 4
Crew 4
Crew 6
Crew 6
Crew 2
Crew 2
Crew 2
Crew 2
Crew 5
Crew 5
Crew 5
Crew 5
Crew 6
n/a
000522
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 230 of 508
Crew 4
Crew 4
Crew 4
Crew 4
Crew 4
Crew 3
Crew 3
Crew 3
Crew 3
Crew 3
Crew 3
Crew 3
Crew 3
Crew 5
Crew 5
Crew 5
Crew 5
Crew 5
Crew 5
Crew 5
Crew 2
Crew 2
Crew 2
Crew 4
Crew 4
Crew 4
Crew 4
Crew 3
Crew 3
Crew 2
Crew 2
Band 1 (Tyler)
Band 2 (Josh)
Band Aids
Production (early)
Rigging/Power/Au
Lighting/Glow Mot
Audio/Special Eff
Video/Carps
000523
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 231 of 508
Backline/TM/Shap (late)9
58
000524
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 232 of 508
DATE COUNTRY CITY VENUE
Wed, Nov 21, 2018 USA Kansas City, MO Sprint Center
Thu, Nov 22, 2018 USA
Fri, Nov 23, 2018 (Thanksgiving)
Sat, Nov 24, 2018
Sun, Nov 25, 2018
Mon, Nov 26, 2018
Tue, Nov 27, 2018
Wed, Nov 28, 2018
Thu, Nov 29, 2018
Fri, Nov 30, 2018
Sat, Dec 1, 2018
Sun, Dec 2, 2018
Mon, Dec 3, 2018
Tue, Dec 4, 2018
Wed, Dec 5, 2018
Thu, Dec 6, 2018 AUS Perth Perth Arena/Tech Day
Fri, Dec 7, 2018 AUS Perth Perth Arena
Sat, Dec 8, 2018
Sun, Dec 9, 2018
Mon, Dec 10, 2018 AUS Adelaide Entertainment Center
Tue, Dec 11, 2018
Wed, Dec 12, 2018
Thu, Dec 13, 2018 AUS Melbourne RodLaver Arena
Fri, Dec 14, 2018
Sat, Dec 15, 2018
Sun, Dec 16, 2018 AUS Sydney Qudos Arena
Mon, Dec 17, 2018
Tue, Dec 18, 2018 AUS Brisbane Entertainment Center
Wed, Dec 19, 2018
Thu, Dec 20, 2018 NZ Auckland Spark Arena/Tech Day
Fri, Dec 21, 2018 NZ Auckland Spark Arena
Sat, Dec 22, 2018
Sun, Dec 23, 2018
Mon, Dec 24, 2018
Tue, Dec 25, 2018
Wed, Dec 26, 2018
Thu, Dec 27, 2018
Fri, Dec 28, 2018
Sat, Dec 29, 2018
Sun, Dec 30, 2018
000525
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 233 of 508
Mon, Dec 31, 2018
Tue, Jan 1, 2019
Wed, Jan 2, 2019
Thu, Jan 3, 2019
Fri, Jan 4, 2019
Sat, Jan 5, 2019
Sun, Jan 6, 2019
Mon, Jan 7, 2019
Tue, Jan 8, 2019
Wed, Jan 9, 2019
Thu, Jan 10, 2019
Fri, Jan 11, 2019
Sat, Jan 12, 2019
Sun, Jan 13, 2019
Mon, Jan 14, 2019
Tue, Jan 15, 2019
Wed, Jan 16, 2019
Thu, Jan 17, 2019
Fri, Jan 18, 2019 USA Los Angeles
Sat, Jan 19, 2019 USA Los Angeles
Sun, Jan 20, 2019
Mon, Jan 21, 2019
Tue, Jan 22, 2019
Wed, Jan 23, 2019
Thu, Jan 24, 2019
Fri, Jan 25, 2019
Sat, Jan 26, 2019 UKR Kiev Palace of Sports/tech
Sun, Jan 27, 2019 UKR Kiev Palace of Sports/tech
Mon, Jan 28, 2019 UKR Kiev Palace of Sports/tech
Tue, Jan 29, 2019 UKR Kiev Palace of Sports/tech
Wed, Jan 30, 2019 UKR Kiev Palace of Sports
Thu, Jan 31, 2019
Fri, Feb 1, 2019
Sat, Feb 2, 2019 RUS Moscow VTB Arena
Sun, Feb 3, 2019
Mon, Feb 4, 2019 RUS St. Petersburg Ice Palace
Tue, Feb 5, 2019
Wed, Feb 6, 2019 FIN Helsinki Ice Hall
Thu, Feb 7, 2019
Fri, Feb 8, 2019 SWE Stockholm Ericsson Globen
Sat, Feb 9, 2019 NOR Oslo Telenor Arena
000526
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 234 of 508
Sun, Feb 10, 2019
Mon, Feb 11, 2019 DEN Copenhagen Royal Arena
Tue, Feb 12, 2019 GER Hamburg Barclaycard Arena
Wed, Feb 13, 2019
Thu, Feb 14, 2019 GER Berlin Mercedes Benz Arena
Fri, Feb 15, 2019 POL Lodz Atlas Arena
Sat, Feb 16, 2019 CZE Prague O2 Arena
Sun, Feb 17, 2019 AUS Vienna Stadhalle
Mon, Feb 18, 2019
Tue, Feb 19, 2019 (Brit awards rehearsal)
Wed, Feb 20, 2019 (Brit awards)
Thu, Feb 21, 2019 ITA Bologna Unipol Arena
Fri, Feb 22, 2019
Sat, Feb 23, 2019 SWI Zurich Hallenstadion Zurich
Sun, Feb 24, 2019 GER Stuttgart Hanns Martin Schleyer Halle
Mon, Feb 25, 2019 GER Cologne Lanxess Arena
Tue, Feb 26, 2019
Wed, Feb 27, 2019 GBR Birmingham Genting Arena
Thu, Feb 28, 2019
Fri, Mar 1, 2019 IRE Dublin 3Arena
Sat, Mar 2, 2019 GBR Belfast SSE Arena Belfast
Sun, Mar 3, 2019
Mon, Mar 4, 2019 GBR Glasgow SSE Hydro
Tue, Mar 5, 2019 GBR Manchester MAN Arena
Wed, Mar 6, 2019
Thu, Mar 7, 2019 GBR London SSE Wembley Arena
Fri, Mar 8, 2019 GBR London SSE Wembley Arena
Sat, Mar 9, 2019 GBR London SSE Wembley Arena
Sun, Mar 10, 2019
Mon, Mar 11, 2019 FRA Paris Accorhotels
Tue, Mar 12, 2019 NLD Amsterdam Ziggo Dome
Wed, Mar 13, 2019 BEL Brussels Palais 12
Thu, Mar 14, 2019
Fri, Mar 15, 2019 ESP Bilbao Bilbao Exhibition Centre
Sat, Mar 16, 2019 ESP Madrid Wizink Arena
Sun, Mar 17, 2019 PRT Lisbon Altice Arena
Mon, Mar 18, 2019
Tue, Mar 19, 2019
Wed, Mar 20, 2019
Thu, Mar 21, 2019
Fri, Mar 22, 2019
000527
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 235 of 508
Sat, Mar 23, 2019
Sun, Mar 24, 2019
Mon, Mar 25, 2019
Tue, Mar 26, 2019
Wed, Mar 27, 2019
Thu, Mar 28, 2019
Fri, Mar 29, 2019 ARG San Isidro (Buenos Aires) Lollapalooza Argentina
Sat, Mar 30, 2019 CHL Santiago Lollapalooza Chile
Sun, Mar 31, 2019
Mon, Apr 1, 2019
Tue, Apr 2, 2019 PRY Asuncion
Wed, Apr 3, 2019
Thu, Apr 4, 2019
Fri, Apr 5, 2019 COL Bogota Festival Estereo Picnic
Sat, Apr 6, 2019
Sun, Apr 7, 2019 BRA Sao Paulo Lollapalooza Brazil
Mon, Apr 8, 2019
Tue, Apr 9, 2019
Wed, Apr 10, 2019
Thu, Apr 11, 2019
Fri, Apr 12, 2019
Sat, Apr 13, 2019
Sun, Apr 14, 2019
Mon, Apr 15, 2019
Tue, Apr 16, 2019
Wed, Apr 17, 2019
Thu, Apr 18, 2019
Fri, Apr 19, 2019
Sat, Apr 20, 2019
Sun, Apr 21, 2019
Mon, Apr 22, 2019
Tue, Apr 23, 2019
Wed, Apr 24, 2019
Thu, Apr 25, 2019
Fri, Apr 26, 2019
Sat, Apr 27, 2019
Sun, Apr 28, 2019
Mon, Apr 29, 2019
Tue, Apr 30, 2019
Wed, May 1, 2019 MEX Monterrey Arena Monterrey
Thu, May 2, 2019
000528
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 236 of 508
Fri, May 3, 2019 MEX Mexico City Sports Palace
Sat, May 4, 2019 MEX Mexico City Sports Palace
Sun, May 5, 2019
Mon, May 6, 2019 MEX Guadalajara Arena VFG
Tue, May 7, 2019
Wed, May 8, 2019
Thu, May 9, 2019
Fri, May 10, 2019
Sat, May 11, 2019
Sun, May 12, 2019 CAN Vancouver, BC Rogers Arena
Mon, May 13, 2019
Tue, May 14, 2019 CAN Calgary, AB The Scotiabank Saddledome
Wed, May 15, 2019 CAN Edmonton, AB Rogers Place
Thu, May 16, 2019
Fri, May 17, 2019 CAN Winnipeg, MB Bell MTS Place
Sat, May 18, 2019
Sun, May 19, 2019
Mon, May 20, 2019 CAN London ON Budweiser Gardens
Tue, May 21, 2019 CAN Ottowa ON Richcraft Live at Canadian Tire Centre
Wed, May 22, 2019 CAN Montreal, QC Bell Centre
Thu, May 23, 2019
Fri, May 24, 2019
Sat, May 25, 2019
Sun, May 26, 2019
Mon, May 27, 2019
Tue, May 28, 2019 CAN Toronto, ON Scotiabank Arena
Wed, May 29, 2019 CAN Toronto, ON Scotiabank Arena
Thu, May 30, 2019
Fri, May 31, 2019 USA Grand Rapids, MI Van Andel Arena
Sat, Jun 1, 2019 USA Buffalo, NY Keybank Center
Sun, Jun 2, 2019
Mon, Jun 3, 2019
Tue, Jun 4, 2019 USA Brooklyn, NY Barclays Center
Wed, Jun 5, 2019 USA Newark, NJ Prudential Center
Thu, Jun 6, 2019
Fri, Jun 7, 2019 USA Pittsburgh, PA PPG Paints Arena
Sat, Jun 8, 2019 USA Atlantic City, NJ Boardwalk Hall
Sun, Jun 9, 2019 USA Charlottesville, VA John Paul Jones Arena
Mon, Jun 10, 2019
Tue, Jun 11, 2019 USA Raleigh, NC PNC Arena
Wed, Jun 12, 2019 USA Charlotte, NC Spectrum Center
000529
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 237 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 238 of 508
Wed, Jul 24, 2019
Thu, Jul 25, 2019
Fri, Jul 26, 2019
Sat, Jul 27, 2019
Sun, Jul 28, 2019
Mon, Jul 29, 2019
Tue, Jul 30, 2019
Wed, Jul 31, 2019
Thu, Aug 1, 2019
Fri, Aug 2, 2019 USA Chicago Lollapalooza
Sat, Aug 3, 2019
Tue, Aug 6, 2019
Wed, Aug 7, 2019
Thu, Aug 8, 2019
Fri, Aug 9, 2019 USA San Francisco Outside Lands Festival
Sat, Aug 10, 2019 USA San Francisco Outside Lands Festival
Sun, Aug 11, 2019
Mon, Aug 12, 2019
Tue, Aug 13, 2019 HUN Budapest Sziget Festival
Wed, Aug 14, 2019
Thu, Aug 15, 2019 AUT Sankt Pölten Frequency Festival Austria
Fri, Aug 16, 2019
Sat, Aug 17, 2019 BEL Kiewit - Hasselt Pukkelpop Festival
Sun, Aug 18, 2019 NLD Bigginghuizen Lowlands Festival
Mon, Aug 19, 2019
Tue, Aug 20, 2019
Wed, Aug 21, 2019
Thu, Aug 22, 2019 FRA Charleville - Mezieres Cabaret Vert Festival
Fri, Aug 23, 2019
Sat, Aug 24, 2019 GBR Reading Reading Festival
Sun, Aug 25, 2019 GBR Leeds Reading Festival
Mon, Aug 26, 2019
Tue, Aug 27, 2019
Wed, Aug 28, 2019
Thu, Aug 29, 2019
Fri, Aug 30, 2019
Sat, Aug 31, 2019 ITA Milan Milano Rocks - Area Expo
Sun, Sep 1, 2019
Mon, Sep 2, 2019
Tue, Sep 3, 2019
Wed, Sep 4, 2019
000531
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 239 of 508
Thu, Sep 5, 2019
Fri, Sep 6, 2019
Sat, Sep 7, 2019 GER Berlin Lollapalooza
Sun, Sep 8, 2019
Mon, Sep 9, 2019
Tue, Sep 10, 2019
Wed, Sep 11, 2019
Thu, Sep 12, 2019
Fri, Sep 13, 2019
Sat, Sep 14, 2019
Sun, Sep 15, 2019
Mon, Sep 16, 2019
Tue, Sep 17, 2019
Wed, Sep 18, 2019
Thu, Sep 19, 2019
Fri, Sep 20, 2019
Sat, Sep 21, 2019
Sun, Sep 22, 2019
Mon, Sep 23, 2019
Tue, Sep 24, 2019
Wed, Sep 25, 2019
Thu, Sep 26, 2019
Fri, Sep 27, 2019
Sat, Sep 28, 2019
Sun, Sep 29, 2019
Mon, Sep 30, 2019
Tue, Oct 1, 2019 Multiple nights in USA?
Wed, Oct 2, 2019 Multiple nights in USA?
Thu, Oct 3, 2019 Multiple nights in USA?
Fri, Oct 4, 2019 Multiple nights in USA?
Sat, Oct 5, 2019 Multiple nights in USA?
Sun, Oct 6, 2019 Multiple nights in USA?
Mon, Oct 7, 2019 Multiple nights in USA?
Tue, Oct 8, 2019 Multiple nights in USA?
Wed, Oct 9, 2019 Multiple nights in USA?
Thu, Oct 10, 2019 Multiple nights in USA?
Fri, Oct 11, 2019 Multiple nights in USA?
Sat, Oct 12, 2019 Multiple nights in USA?
Sun, Oct 13, 2019 Multiple nights in USA?
Mon, Oct 14, 2019 Multiple nights in USA?
Tue, Oct 15, 2019 Multiple nights in USA?
000532
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 240 of 508
Wed, Oct 16, 2019 Multiple nights in USA?
Thu, Oct 17, 2019 Multiple nights in USA?
Fri, Oct 18, 2019 Multiple nights in USA?
Sat, Oct 19, 2019 Multiple nights in USA?
Sun, Oct 20, 2019 Multiple nights in USA?
Mon, Oct 21, 2019 Multiple nights in USA?
Tue, Oct 22, 2019 Multiple nights in USA?
Wed, Oct 23, 2019 Multiple nights in USA?
Thu, Oct 24, 2019 Multiple nights in USA?
Fri, Oct 25, 2019 Multiple nights in USA?
Sat, Oct 26, 2019 Multiple nights in USA?
Sun, Oct 27, 2019 Multiple nights in USA?
Mon, Oct 28, 2019 Multiple nights in USA?
Tue, Oct 29, 2019 Multiple nights in USA?
Wed, Oct 30, 2019 Multiple nights in USA?
Thu, Oct 31, 2019 Multiple nights in USA?
Fri, Nov 1, 2019 Multiple nights in USA?
Sat, Nov 2, 2019 Multiple nights in USA?
Sun, Nov 3, 2019 Multiple nights in USA?
Mon, Nov 4, 2019 Multiple nights in USA?
Tue, Nov 5, 2019 Multiple nights in USA?
Wed, Nov 6, 2019 Multiple nights in USA?
Thu, Nov 7, 2019 Multiple nights in USA?
Fri, Nov 8, 2019 Multiple nights in USA?
Sat, Nov 9, 2019 Multiple nights in USA?
Sun, Nov 10, 2019 Multiple nights in USA?
Mon, Nov 11, 2019 Multiple nights in USA?
Tue, Nov 12, 2019 Multiple nights in USA?
Wed, Nov 13, 2019 Multiple nights in USA?
Thu, Nov 14, 2019 Multiple nights in USA?
Fri, Nov 15, 2019 Multiple nights in USA?
Sat, Nov 16, 2019 Multiple nights in USA?
Sun, Nov 17, 2019 Multiple nights in USA?
Mon, Nov 18, 2019 Multiple nights in USA?
Tue, Nov 19, 2019 Multiple nights in USA?
Wed, Nov 20, 2019 Multiple nights in USA?
Thu, Nov 21, 2019
Fri, Nov 22, 2019
Sat, Nov 23, 2019
Sun, Nov 24, 2019
Mon, Nov 25, 2019
000533
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 241 of 508
Tue, Nov 26, 2019
Wed, Nov 27, 2019
Thu, Nov 28, 2019
Fri, Nov 29, 2019
Sat, Nov 30, 2019
Sun, Dec 1, 2019
Mon, Dec 2, 2019
Tue, Dec 3, 2019
Wed, Dec 4, 2019
Thu, Dec 5, 2019
Fri, Dec 6, 2019
Sat, Dec 7, 2019
Sun, Dec 8, 2019
Mon, Dec 9, 2019
Tue, Dec 10, 2019
Wed, Dec 11, 2019
Thu, Dec 12, 2019
Fri, Dec 13, 2019
Sat, Dec 14, 2019
Sun, Dec 15, 2019
Mon, Dec 16, 2019
Tue, Dec 17, 2019
Wed, Dec 18, 2019
Thu, Dec 19, 2019
Fri, Dec 20, 2019
Sat, Dec 21, 2019
Sun, Dec 22, 2019
Mon, Dec 23, 2019
Tue, Dec 24, 2019
Wed, Dec 25, 2019
Thu, Dec 26, 2019
Fri, Dec 27, 2019
Sat, Dec 28, 2019
Sun, Dec 29, 2019
Mon, Dec 30, 2019
Tue, Dec 31, 2019
Wed, Jan 1, 2020
Thu, Jan 2, 2020
Fri, Jan 3, 2020
Sat, Jan 4, 2020
Sun, Jan 5, 2020
000534
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 242 of 508
Mon, Jan 6, 2020
Tue, Jan 7, 2020
Wed, Jan 8, 2020
Thu, Jan 9, 2020
Fri, Jan 10, 2020
Sat, Jan 11, 2020
Sun, Jan 12, 2020
Mon, Jan 13, 2020
Tue, Jan 14, 2020
Wed, Jan 15, 2020
Thu, Jan 16, 2020
Fri, Jan 17, 2020
Sat, Jan 18, 2020
Sun, Jan 19, 2020
Mon, Jan 20, 2020
Tue, Jan 21, 2020
Wed, Jan 22, 2020
Thu, Jan 23, 2020
Fri, Jan 24, 2020
Sat, Jan 25, 2020
Sun, Jan 26, 2020
Mon, Jan 27, 2020
Tue, Jan 28, 2020
Wed, Jan 29, 2020
Thu, Jan 30, 2020
Fri, Jan 31, 2020
Sat, Feb 1, 2020
Sun, Feb 2, 2020
Mon, Feb 3, 2020
Tue, Feb 4, 2020
Wed, Feb 5, 2020
Thu, Feb 6, 2020
Fri, Feb 7, 2020
Sat, Feb 8, 2020
Sun, Feb 9, 2020
Mon, Feb 10, 2020
Tue, Feb 11, 2020 Q 1 South America?
Wed, Feb 12, 2020
Thu, Feb 13, 2020
Fri, Feb 14, 2020
Sat, Feb 15, 2020
000535
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 243 of 508
Sun, Feb 16, 2020
Mon, Feb 17, 2020
Tue, Feb 18, 2020
Wed, Feb 19, 2020
Thu, Feb 20, 2020
Fri, Feb 21, 2020
Sat, Feb 22, 2020
Sun, Feb 23, 2020
Mon, Feb 24, 2020
Tue, Feb 25, 2020
Wed, Feb 26, 2020
Thu, Feb 27, 2020
Fri, Feb 28, 2020
Sat, Feb 29, 2020
Sun, Mar 1, 2020
Mon, Mar 2, 2020
Tue, Mar 3, 2020
Wed, Mar 4, 2020
Thu, Mar 5, 2020
Fri, Mar 6, 2020
Sat, Mar 7, 2020
Sun, Mar 8, 2020
Mon, Mar 9, 2020
Tue, Mar 10, 2020
Wed, Mar 11, 2020
Thu, Mar 12, 2020
Fri, Mar 13, 2020
Sat, Mar 14, 2020
Sun, Mar 15, 2020
Mon, Mar 16, 2020
Tue, Mar 17, 2020
Wed, Mar 18, 2020
Thu, Mar 19, 2020
Fri, Mar 20, 2020
Sat, Mar 21, 2020
Sun, Mar 22, 2020
Mon, Mar 23, 2020
Tue, Mar 24, 2020
Wed, Mar 25, 2020
Thu, Mar 26, 2020
Fri, Mar 27, 2020
000536
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 244 of 508
Sat, Mar 28, 2020
Sun, Mar 29, 2020
000537
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 245 of 508
MILEAGE TRAVEL NOTES PRODUCTION NOTES
196
569 Crew depart from KC home
Off
10 days
Prep crew depart for Melbourne
Prep crew arrive Melbourne
Trucks depart for Perth (evening?)
All crew arrive Perth (from Melbourne or home)
AUS Tour Period
Crew fly to Adelaide 21 Days
Crew fly to Melbourne
Crew fly to Sydney
Crew fly to Brisbane
Crew fly to Auckland charter 747
Band and crew fly home
Air freight dumps at storage in London
Off
8 days (until 2019)
000538
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 246 of 508
2018
2019
Off
23 Days
Production crew to Birmingham for prep
Core crew to LA for IHeart/Production crew arrive dump
Birmingham
Transam air freight storage at VER London
tech/re-prep at VER London
tech/re-prep at VER London
LA crew depart for Kiev trucks load at VER London; roll by 4pm to make ferry
LA crew arrive Kiev, Birmingham crew fly to Kiev
Leg 1 Europe 1/19-3/19
54 Days
Fly/Rail
521
Fly/Rail
436
Fly
200
Fly
302 (Bus start here)
321
000539
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 247 of 508
363
201
175
286
281
184
325
355
122
110
Ferry Crossing
554
Ferry Crossing
219
100
134 Ferry crossing
212
185
307
310
248
369
All gear returns to Birmingham for shipping Off
7 Days
000540
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 248 of 508
Crew depart for SA
Arrive SA Leg 2 South America 3/19-4/19
14 days
4 shows total
Band and crew fly home
Off
20 days
trucks pack in Nashville
trucks cross load in Laredo
Fly
000541
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 249 of 508
568 Leg 3 North America 4/19-6/19
63 Days
Fly
347
Fly home?
trucks need to clear Laredo by 2:30pm CST
Fly to Vancouver
2648
606
185
1153
390
138
388
375
16
372
341
283
192
162
000542
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 250 of 508
385
345
234
586
343
349
167 PRERIG; modified FOH layout to do full show
465
174
Crew travel to Cleveland
Fly to Quebec City
743
Fly home
TRAVEL - PREP?
TRAVEL - PREP?
TRAVEL - PREP?
611 + Ferry Leg 4 Festivals 7/19-9
344
415
290
000543
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 251 of 508
Crew fly home
Crew to Chicago?
Chicago build day?
Freight
Crew fly home
Crew fly to SF
2132
Fly Sf to Budapest
Meet buses
Freight
188
453
131
224
351+ ferry
200
Cut loose buses, fly to Milan
495
Fly to Berlin
000544
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 252 of 508
Fly home
000545
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 253 of 508
000546
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 254 of 508
000547
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 255 of 508
000548
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 256 of 508
000549
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 257 of 508
000550
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 258 of 508
000551
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 259 of 508
dump Transam air freight storage at VER London
trucks load at VER London; roll by 4pm to make ferry
000552
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 260 of 508
000553
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 261 of 508
000554
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 262 of 508
000555
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 263 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 264 of 508
Chicago build day?
000557
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 265 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 266 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 267 of 508
000560
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 268 of 508
000561
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 269 of 508
000562
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 270 of 508
000563
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 271 of 508
JULY 10 - SEP 8TH
FESTIVALS CAR AND BACKLINE TO AND FROM
quoted for 20 active and 32 non-active weeks 2 month budget
4 in europe (after prep in London)
lolla and outside lands in US
000564
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 272 of 508
CAR AND BACKLINE TO AND FROM
000565
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 273 of 508
Tait pricing to have B stage in Europe
motors and steel package for Europe. prepped everything
Have Nate tech Nashville symmetry labs carts
check out local fixture prices in SA
-SOUTH AMERICA FOR EUROPE FESTIVAL PACKAGE
-AUSTRALIA NUMBERS FOR US FESTIVALS
Prtojectionist from Aussie
info is:
000566
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 274 of 508
Notes for festivals
Notes for the fall
Other:
Glow Motion addition
maintenance on motors our costs timeline
000567
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 275 of 508
TWENTY ØNE PILØTS
GEAR MANIFEST – HIGH END TV
CAMERA/FRONT END VIDEO SYSTEMS
CASE
HETV1 – Long Lenses +
1 Cameras, Long Tripods
2 HETV2: Short Cams
000568
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 276 of 508
3 HETV3 - Engineering Core
000569
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 277 of 508
4 HETV4 – Director Core
5 HETV5- CABLE TRUNK
6 HETV6- VIDEO WORKBOX
7 HETV7 – ROBOTICS A
7 HETV8 – ROBOTICS B
000570
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 278 of 508
000571
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 279 of 508
NE PILØTS
END VIDEO SYSTEMS
CONTENTS CASE DIMENSIONS
road case 32”Wx48”Lx36”H
Fujinon XA77x8.9 Lens
Fujinon XA77x8.9 Lens
ELH-112A-35A Camera Support
ELH-112A-35A Camera Support
Fujinon ESM-D51B DigiPower Servo Controller
Fujinon ESM-D51B DigiPower Servo Controller
Sachtler EFP-2 Legs
Sachtler EFP-2 Legs
Sachtler Video75 Plus Tripod Head
Sachtler Video75 Plus Tripod Head
150' Canare SMPTE Hybrid Fiber
150' Canare SMPTE Hybrid Fiber
HDC-1700 Camera Body (w/ HDC-2500 Upgrade)
HDC-1700 Camera Body (w/ HDC-2500 Upgrade)
Sony HDVF-L750
Sony HDVF-L750
road case 32”Wx48”Lx36”H
HDC-1700 Camera Body (w/ HDC-2500 Upgrade)
HDC-1700 Camera Body (w/ HDC-2500 Upgrade)
HDC-1700 Camera Body (w/ HDC-2500 Upgrade)
HDC-2400 Camera Body (w/ HDC-2500 Upgrade)
Fujinon HA14x4.5 HD Zoom Lens
Fujinon HA14x4.5 HD Zoom Lens
Fujinon HA18x7.6 HD Zoom Lens
Canon 14x4.3 HD Zoom Lens
Sony HDVF-L10
Sony HDVF-L10
Sony HDVF-L10
Sony HDVF-L10
Sony VCT-V14 Tripod Plate
Sony VCT-V14 Tripod Plate
Sony VCT-V14 Tripod Plate
Sony VCT-V14 Tripod Plate
Sachtler Video 18 Plus Tripod
000572
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 280 of 508
Sachtler Video 18 Plus Tripod
Sachtler Video 18 Plus Tripod
Miller Arrow 55 Tripod
road case 32”Wx48”Lx36”H
BMD Atem 4 M/E
BMD 40x40 Router
Telex Zeus III+ Intercom Head
RTS 3016 Intercom Panel
LG 32” 4k TV
LNM Engineering 10” 4k Monitor
LNM Engineering 10” 4k Monitor
LNM Engineering 10” 4k Monitor
Matrix Switch 16x1 Matrix Switcher
HP Z400 System CPU
Ross Video Opengear Rack (DA Populater)
Decimator DMON-9S Multiviewer
Decimator DMON-9S Multiviewer
BMD Sync Generator
TrippLite IEC 100-240 Distro
TrippLite IEC 100-240 Distro
TrippLite IEC 100-240 Distro
TrippLite IEC 100-240 Distro
Middle Atlantic Rack Fan (Intake)
Middle Atlantic Rack Fan (Output)
Sony RCP-1500
Sony RCP-1500
Sony RCP-1500
Sony RCP-1500
Sony RCP-1500
Sony RCP-1500
Sony HDCU-3100
Sony HDCU-3100
Sony HDCU-3100
Sony HDCU-3100
Sony HDCU-3100
Sony HDCU-3100
Panasonic AW-RP50 Robotic Controller
Fibercams Dual Robotic Fiber Converter
Multidyne 4x1x1 Fiberoptic Transceiver
Multidyne SHED SMPTE Fiber Converter
000573
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 281 of 508
road case 32”Wx48”Lx36”H
BMD Atem 2/ME Panel (Loaded)
RTS 3016 Intercom Panel
Samsung 25” 25HG50 OLED
Samsung 25” 25HG50 OLED
Genelec 8010APM
Genelec 8010APM
Volume ByBrent
Middle Atlantic 4RU Drawer
Atomos Shogun Studio 4K
TrippLite IEC 100-240 Distro
TrippLite IEC 100-240 Distro
TrippLite IEC 100-240 Distro
TrippLite IEC 100-240 Distro
Rane Audio DA
HDSDI Cables – Canare
David Clark H10-13.4 Headset
road case 44”Wx22”Lx31”H
Canare 500' Hybrid Fiber Cable
GEPCO 500' Hybrid Fiber Cable
Camplex 750' TAC12 Single Mode
Canare 350' Tactical
Canare 150' Tactical
Fibercams HE130 Aluminum Mount
road case Roadcase 28”Lx22”Wx33”H
VIDEO CABLE ASSORTMENT
WELLER SOLDERING IRON
road case Pelican Case 1650
Panasonic HE130
CABLE LOOMS
road case Pelican Case 1650
Panasonic HE130
Marshall CV365-CGB
MATTHEWS MAGIC MOUNT
SONY PMWF300
FUJINON XS13X3.3 HD WIDE ANGLE
000574
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 282 of 508
TERADEK BOLT
000575
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 283 of 508
VALUE (USD)
WEIGHT (lbs) QUANTITY SERIAL NUMBER
1 510556
1 510555
1
1
1 N70262
1 A80047
1 61861800990
1 61861800985
1 S751547D18
1 S751567F18
1
1
1 10719
1 10713
1 102837
1 102826
1 10724
1 10720
1 10709
1 10443
1 444934
1
1
1 1616155
1 11361
1 11311
1 11354
1 11406
1
1
1
1
1 18P15099
000576
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 284 of 508
1 1811F160510
1
1 A62339
1 4572693
1 4390221
1 7.52364E+16
1 4.52102E+16
1 710NTCZ17339
1
1
1
1
1 2UA73832TN
1
1 OAA01338
1
1 4408770
1 2737DS0
1
1
1
1
1
1 154074
1 154149
1 154131
1 154180
1 154308
1 154146
1 10068
1 10062
1 10065
1 10094
1 10080
1 10083
1
1
1 107275
4 107272, 107273, 107274, 107271
000577
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 285 of 508
4519538
4.52102E+16
3
K6A94SST50B01
80
4
1
1
1
3
4
4
3 E7TBA0027, E7TBA0043, E7TBA0047
3
1 A5TBA0150
4
3
000578
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 286 of 508
11780
680772
000579
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 287 of 508
COUNTRY OF ORIGIN
USA
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
GERMANY
GERMANY
GERMANY
GERMANY
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
USA
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
GERMANY
000580
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 288 of 508
GERMANY
GERMANY
AUSTRALIA
USA
SINGAPORE
SINGAPORE
USA
PORTUGAL
CHINA
CHINA
CHINA
CHINA
USA
USA
USA
USA
USA
SINGAPORE
CHINA
CHINA
CHINA
CHINA
USA
USA
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
JAPAN
USA
USA
USA
000581
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 289 of 508
USA
SINGAPORE
PORTUGAL
CHINA
CHINA
FINLAND
FINLAND
USA
USA
CHINA
CHINA
CHINA
CHINA
CHINA
CHINA
JAPAN
USA
USA
JAPAN
USA
USA
JAPAN
JAPAN
USA
USA
USA
USA
USA
JAPAN
USA
USA
JAPAN
USA
USA
000582
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 290 of 508
000583
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 291 of 508
$ still due from band
$ in bank
$ total assets
$ still owe (in google doc)
$ already paid strictly
$ still due actual
$ profit left
$ Iprevail Incoming
$ Iprevail Outgoing
$ OAR Incoming
$ OAR Outgoing
$ profit left after Iprevail and OAR
$
$
$
$ been paid personally so far this year
$ will have been paid
$ profit from other bands
$ profit from TOP
profit
daniel
000584
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 292 of 508
taxable
gross
taxes paid
gross
000585
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 293 of 508
000586
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 294 of 508
Symmetry
Glow Motion
Adam Mills Commission?
PRG?
Strictly?
NED
000587
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 295 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 296 of 508
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 297 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 01 A
WC 99 06 87 CA
(Ed. 10-17)
INFORMATION PAGE
Insurer: Policy No.: Prev. Policy No.:
American Automobile Insurance Company New
O'Fallon, MO 63368
A Stock Insurance Company (15)
NCCI Carrier Code: 10022
1. The Insured and mailing address: Individual Partnership
Concert Investor, LLC Corporation Other: Limited Liability Company
PO Box 120217
Interstate Risk ID No.:
Nashville, TN 37212
E-mail Address:
Other Insureds and workplaces not shown above: SEE EXTENSION OF INFORMATION PAGE
2. The policy period is from 07/02/2018 to 07/02/2019 12:01 AM at the insured’s mailing address.
3. A. Workers Compensation Insurance: Part One of the policy applies to the Workers Compensation Law of the
states listed here: Idaho, New York, Tennessee
B. Employers Liability Insurance: Part Two of the policy applies to work in each state listed in Item 3.A. The limits
of our liability under Part Two are:
Bodily Injury by Accident $ 1,000,000 each accident
Bodily Injury by Disease $ 1,000,000 policy limit
Bodily Injury by Disease $ 1,000,000 each employee
C. Other States Insurance: Part Three of the policy applies to the states, if any, listed here: All States except
North Dakota, Ohio, Washington, Wyoming, and the States designated in Item 3.A. of the Information
Page
D. This policy includes these endorsements and schedules: SEE EXTENSION OF INFORMATION PAGE
4. The premium for this policy will be determined by our Manuals of Rules, Classifications, Rates and Rating Plans. All
information required below is subject to verification and change by audit. SEE EXTENSION OF INFORMATION PAGE
Minimum Premium Total Estimated Annual Premium
Interim Adjustment of Premium shall be made ANNUALLY Deposit Premium
See Installment Payment Endorsement for payment schedule.
Producer Information: Servicing/Issuing Office:
REEL MEDIA, LLC American Automobile Insurance Company
3400 W Olive Ave Ste 320 1 Progress Point Parkway
Burbank, CA 91505-5538 O'Fallon, MO 63368
Telephone: Issue Date:07/09/2018
Countersigned by _____________________________________________
WC 00 00 01 A
(Ed. 10-17)
Page 1 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000610
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 298 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
EXTENSION OF INFORMATION PAGE
Insured: Concert Investor, LLC Effective Date: 07/02/2018 Policy No.
Item 1. Schedule of Insureds
Insured Name Legal Entity FEIN State ID
Concert Investor, LLC Limited Liability Company 455637433
WC 00 00 01 A
(Ed. 10-17)
Page 2 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000611
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 299 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
EXTENSION OF INFORMATION PAGE
Insured: Concert Investor, LLC Effective Date: 07/02/2018 Policy No.
Item 1. Schedule of Locations
State: Idaho
Location: 3 No Physical Location, ID
State: New York
Location: 1 No Physical Location, NY
State: Tennessee
Location: 2 No Physical Location, TN
WC 00 00 01 A
(Ed. 10-17)
Page 3 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000612
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 300 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
EXTENSION OF INFORMATION PAGE
Insured: Concert Investor, LLC Effective Date: 07/02/2018 Policy No.
Item 3. D. Schedule of Forms
Form Title Form Number (Edition Date)
Important Disclosure Notice Regarding Terrorism Coverage 380146 10-17
Workers Compensation and Employers Liability Insurance Policy WC 00 00 00 C (Ed. 01-15)
Premium Discount Endorsement WC 00 04 06 (Ed. 08-84)
Premium Discount Endorsement WC 00 04 06 A (Ed. 07-95)
Notification of Change in Ownership Endorsement WC 00 04 14 (Ed. 07-90)
Premium Due Date Endorsement WC 00 04 19 (Ed. 01-01)
Catastrophe (Other Than Certified Acts of Terrorism) Premium Endorsement WC 00 04 21 D (Ed. 01-15)
Terrorism Risk Insurance Program Reauthorization Act Disclosure Endorsement WC 00 04 22 B (Ed. 01-15)
Audit Noncompliance Charge Endorsement WC 00 04 24 (Ed. 01-17)
Experience Rating Modification Factor Revision Endorsement WC 00 04 25 (Ed. 5-17)
New York Limit of Liability Endorsement WC 31 03 08 (Ed. 01-00)
New York Construction Classification Premium Adjustment Program Explanatory WC 31 03 19 I (Ed. 01-18)
Endorsement
New York Safe Patient Handling Act Program Explanatory Endorsement WC 31 04 05 (Ed. 10-17)
New York Workers Compensation Policyholder Notice of Right to Appeal WC 31 06 18 (Ed. 03-15)
Installment Payment Endorsement WC 99 04 01 (Ed. 10-17)
Economic or Trade Sanctions Compliance WC 99 06 82 (Ed. 04-15)
Signature Endorsement WC 99 06 86 (Ed. 10-17)
WC 00 00 01 A
(Ed. 10-17)
Page 4 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000613
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 301 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
EXTENSION OF INFORMATION PAGE
Insured: Concert Investor, LLC Effective Date: 07/02/2018 Policy No.
Item 4. Classifications
State: Idaho
Policy Period: 07/02/2018 - 07/02/2019
Loc: 3 Unspecified Location
No. of Employees Full Time: Part Time:
Premium Basis Rate Per Estimated
Code Total Estimated $100 of Annual
Classifications No. Remuneration Remuneration Premium
THEATER NOC: ALL OTHER EMPLOYEES 9154 If Any
Total Classification Premium
Employers Liability Increased Limits (1.1%) 9812
Total Standard Premium for Policy Period
Premium Discount (1.0%) 0063
Terrorism 9740
Catastrophe (other than Certified Acts of Terrorism) 9741
Total Estimated Annual Cost:
WC 00 00 01 A
(Ed. 10-17)
Page 5 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000614
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 302 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
EXTENSION OF INFORMATION PAGE
Insured: Concert Investor, LLC Effective Date: 07/02/2018 Policy No.
Item 4. Classifications
State: New York
Policy Period: 07/02/2018 - 07/02/2019
Loc: 1 Unspecified Location
No. of Employees Full Time: 0 Part Time: 0
Premium Basis Rate Per Estimated
Code Total Estimated $100 of Annual
Classifications No. Remuneration Remuneration Premium
THEATRICAL PRODUCTION NOC-ALL OTHER 9160 If Any
EMPLOYEES
Total Classification Premium
Total Standard Premium for Policy Period
Premium Discount (6.0%) 0063
Expense Constant 0900
Terrorism 9740
Catastrophe (other than Certified Acts of Terrorism) 9741
New York State Assessment (12.1%) 0932
Total Estimated Annual Cost:
WC 00 00 01 A
(Ed. 10-17)
Page 6 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000615
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 303 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
EXTENSION OF INFORMATION PAGE
Insured: Concert Investor, LLC Effective Date: 07/02/2018 Policy No.
Item 4. Classifications
State: Tennessee
Policy Period: 07/02/2018 - 07/02/2019
Loc: 2 Unspecified Location
No. of Employees Full Time: 0 Part Time: 5
Premium Basis Rate Per Estimated
Code Total Estimated $100 of Annual
Classifications No. Remuneration Remuneration Premium
THEATER NOC: ALL OTHER EMPLOYEES 9154
Total Classification Premium
Employers Liability Increased Limits (1.4%) 9812
Total Standard Premium for Policy Period
Premium Discount (6.0%) 0063
Terrorism 9740
Catastrophe (other than Certified Acts of Terrorism) 9741
Total Estimated Annual Cost:
WC 00 00 01 A
(Ed. 10-17)
Page 7 of 7
Includes copyright material of the National Council on Compensation Insurance, Inc. used with its permission
© 1987 National Council on Compensation Insurance.
000616
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 304 of 508
Allianz Global Risks US Insurance Company
Privacy and Security Statement
SHAPE?
Protecting you and your family from loss is important to Allianz Global Risks US. Just as important to us is
protecting your privacy and the personal information we use to provide you with superior products and service.
At Allianz Global Risks US, and its subsidiaries, our policy is to maintain appropriate confidentiality with regard
to all personal information obtained in the course of doing business with you. Our pledge to protect your privacy
is reflected in this Privacy Statement which outlines our principles in collecting, using and safeguarding your
personal information and information about your relationship with us.
Personal Information Allianz Global Risks US Collects
Allianz Global Risks US only collects personal information about you when it is necessary to conduct the business
of insurance. We limit the collection of personal information to what we reasonably believe is needed to administer
your account. As a result, we collect personal information from the following sources:
Personal information you share with us either directly or through your agent, such as the information on
your insurance application, requested policy change information or other forms you may complete.
Personal information you provide or which is obtained through the process of handling a claim, including
medical information, such as from an accident report.
Personal information about you from your transactions with us, our affiliates or others such as the number
of years you have been a policyholder with Allianz Global Risks US or the types of coverage you purchase.
Personal information about you from a consumer reporting agency, such as a credit report or a Motor
Vehicle Report.
If you visit or use the Allianz Global Risks US website, or one of our subsidiaries, we may use "cookies" (small text
files transferred from our website to your hard drive) to recognize repeat users, track usage and facilitate your access
to and use of the site. We do not use "cookies" to gather personal information, and we do not link cookies to
identifiable information, such as your policy number. The "cookies" only enable you to use our website more easily.
Personal Information Allianz Global Risks US Discloses
Allianz Global Risks US does not disclose any personal information about current or former customers to anyone,
except as permitted by law.
When possible, we advise our vendors and other nonaffiliated third parties, to whom we legally provide your
personal information in the course of conducting our insurance business, of our privacy policy. We make every effort
to use vendors whose approach to customer privacy reflects our own.
Allianz Global Risks US’s Policies and Practices with Respect to Security of Personal Information
Allianz Global Risks US uses a variety of computer hardware and software tools to maintain physical, electronic
and procedural safeguards that comply with applicable federal and state regulations to guard your personal
information. We restrict access to personal information about you to only those employees who need that
information to provide products or services to you.
Allianz Global Risks US, and its subsidiaries, also works hard to ensure that our websites are secure. We employ
firewalls, encryption technology, user authentication systems and access control mechanisms to control access to the
personal information that may be shared over these sites.
Notification of Change
At Allianz Global Risks US, your trust is one of our most important assets. We will continually work to protect
the privacy of our individual customers and will continually review our privacy policy. If at some point in the future
we revise our privacy practices that affect your personal information, we will notify you prior to introducing any
changes. This Privacy Statement is also displayed on our website. (www.agcs.allianz.com)
PVCYV0C 9-15 Page 1 of 2
000617
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 305 of 508
For More Information or if You have Questions
Should you have further questions regarding our privacy policy, you can contact us in a number of ways. You may
email us at AGCSNAPrivacyNotice@agcs.com or you can write to us at:
Allianz Global Risks US
Corporate Compliance Department
1465 North McDowell Blvd
Petaluma, CA
94954-6516
Allianz Global Risks US’s Family of Companies
The following lists the issuing companies Allianz Global Risks US uses to issue insurance policies nationwide:
AGCS Marine Insurance Company
Allianz Global Risks US Insurance Company
Allianz Underwriters Insurance Company
American Automobile Insurance Company
Associated Indemnity Corporation
Chicago Insurance Company
Fireman’s Fund Insurance Company
Fireman’s Fund Insurance Company of Ohio
Fireman’s Fund Indemnity Corporation
Fireman’s Fund Insurance Company of Hawaii
Interstate Fire & Casualty Company
National Surety Corporation
The American Insurance Company
PVCYV0C 9-15 Page 2 of 2
000618
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 306 of 508
Important Disclosure Notice Regarding Terrorism Coverage
380146 10 17
This notice applies to the type(s) of insurance provided under this policy that are subject to the Terrorism
Risk Insurance Act, as amended ("The Act"). You are hereby notified that under The Act, you have a right
to purchase insurance coverage for losses arising out of certified acts of terrorism, as defined in Section
102(1) of The Act: The term certified act of terrorism means any act or acts that are certified by the
Secretary of the Treasury, in accordance with the provisions of the federal Terrorism Risk Insurance Act,
as amended, to be an act of terrorism; to be a violent act or an act that is dangerous to human life, property;
or infrastructure; to have resulted in damage within the United States, or outside the United States in the
case of an air carrier or vessel or the premises of a United States mission; and to have been committed by
an individual or individuals as part of an effort to coerce the civilian population of the United States or to
influence the policy or affect the conduct of the United States Government by coercion.
YOU SHOULD KNOW THAT WHEN COVERAGEIS PROVIDED BY THIS POLICY FOR LOSSES RESULTING
FROM CERTIFIED ACTS OF TERRORISM, SUCH LOSSES MAY BE PARTIALLY REIMBURSED BY THE
UNITED STATES GOVERNMENT UNDER A FORMULA ESTABLISHED BY FEDERAL LAW. HOWEVER,
YOUR POLICY MAY CONTAIN OTHER EXCLUSIONS WHICH MIGHT AFFECT YOUR COVERAGE, SUCH AS
AN EXCLUSION FOR NUCLEAR EVENTS. UNDER THE FORMULA, THE UNITED STATES GOVERNMENT
GENERALLY REIMBURSES 85% THROUGH 2015; 84% BEGINNING ON JANUARY 1, 2016; 83%
BEGINNING ON JANUARY 1, 2017; 82% BEGINNING ON JANUARY 1, 2018; 81% BEGINNING ON JANUARY
1, 2019 AND 80% BEGINNING ON JANUARY 1, 2020 OF COVERED TERRORISM LOSSES EXCEEDING THE
STATUTORILY ESTABLISHED DEDUCTIBLE PAID BY THE INSURANCE COMPANY PROVIDING THE
COVERAGE. THE PREMIUM CHARGED FOR THIS COVERAGE IS PROVIDED BELOW AND DOES NOT
INCLUDEANY CHARGES FOR THE PORTION OF LOSS THAT MAY BE COVERED BY THE FEDERAL
GOVERNMENT UNDER THE ACT.
YOU SHOULD ALSO KNOW THAT THE TERRORISM RISK INSURANCE ACT, AS AMENDED, CONTAINS A
$100 BILLION CAP THAT LIMITS U.S. GOVERNMENT REIMBURSEMENT AS WELL AS INSURER’S
LIABILITY FOR LOSSES RESULTING FROM CERTIFIED ACTS OF TERRORISM WHEN THE AMOUNT OF
SUCH LOSSES IN ANY ONE CALENDAR YEAR EXCEEDS $100 BILLION. IF THE AGGREGATE INSURED
LOSSES FOR ALL INSURERS EXCEEDS $100 BILLION, YOUR COVERAGE MAY BE REDUCED.
Your policy includes coverage for losses due to certified acts of terrorism, as defined by The Act, and, will
be subject to the limit(s), terms and conditions of the policy. The premium for this terrorism coverage is
displayed on the declarations page.
If you have any questions about this or any other insurance matter, please contact your agent or broker
representing the Allianz Global Risks US Insurance Companies.
380146 10-17
000619
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 307 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 00 C
(Ed. 1-15)
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY
In return for the payment of the premium and subject to PART ONE
all terms of this policy, we agree with you as follows: WORKERS COMPENSATION INSURANCE
A. How This Insurance Applies
GENERAL SECTION This workers compensation insurance applies to
bodily injury by accident or bodily injury by disease.
A. The Policy Bodily injury includes resulting death.
This policy includes at its effective date the Info- 1. Bodily injury by accident must occur during the
rmation Page and all endorsements and schedules policy period.
listed there. It is a contract of insurance between
you (the employer named in Item 1 of the 2. Bodily injury by disease must be caused or
aggravated by the conditions of your
Information Page) and us (the insurer named on the
Information Page). The only agreements relating to employment. The employee’s last day of last
this insurance are stated in this policy. The terms of exposure to the conditions causing or
aggravating such bodily injury by disease must
this policy may not be changed or waived except by
endorsement issued by us to be part of this policy. occur during the policy period.
B. Who is Insured B. We Will Pay
You are insured if you are an employer named in We will pay promptly when due the benefits
required of you by the workers compensation law.
Item 1 of the Information Page. If that employer is a
partnership, and if you are one of its partners, you
are insured, but only in your capacity as an C. We Will Defend
employer of the partnership’s employees. We have the right and duty to defend at our
expense any claim, proceeding or suit against you
C. Workers Compensation Law for benefits payable by this insurance. We have the
Workers Compensation Law means the workers or right to investigate and settle these claims,
workmen’s compensation law and occupational proceedings or suits.
disease law of each state or territory named in Item We have no duty to defend a claim, proceeding or
3.A. of the Information Page. It includes any suit that is not covered by this insurance.
amendments to that law which are in effect during
the policy period. It does not include any federal D. We Will Also Pay
workers or workmen’s compensation law, any We will also pay these costs, in addition to other
federal occupational disease law or the provisions amounts payable under this insurance, as part of
of any law that provide nonoccupational disability any claim, proceeding or suit we defend:
benefits. 1. reasonable expenses incurred at our request,
but not loss of earnings;
D. State
2. premiums for bonds to release attachments
State means any state of the United States of and for appeal bonds in bond amounts up to
America, and the District of Columbia. the amount payable under this insurance;
E. Locations 3. litigation costs taxed against you;
This policy covers all of your workplaces listed in 4. interest on a judgment as required by law until
we offer the amount due under this insurance;
Items 1 or 4 of the Information Page; and it covers
and
all other workplaces in Item 3.A. states unless you
have other insurance or are self-insured for such 5. expenses we incur.
workplaces.
E. Other Insurance
We will not pay more than our share of benefits and
costs covered by this insurance and other
WC 00 00 00 C
(Ed. 1-15) 1 of 6
ã Copyright 2013 National Council on Compensation Insurance, Inc. All Rights Reserved.
000620
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 308 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 00 C
(Ed. 1-15)
insurance or self-insurance. Subject to any limits of workers compensation law that apply to:
liability that may apply, all shares will be equal until a. benefits payable by this insurance;
the loss is paid. If any insurance or self-insurance is
exhausted, the shares of all remaining insurance b. special taxes, payments into security or other
special funds, and assessments payable by us
will be equal until the loss is paid.
under that law.
F. Payments You Must Make 6. Terms of this insurance that conflict with the
workers compensation law are changed by this
You are responsible for any payments in excess of statement to conform to that law.
the benefits regularly provided by the workers
compensation law including those required Nothing in these paragraphs relieves you of your
because: duties under this policy.
1. of your serious and willful misconduct; PART TWO
EMPLOYERS LIABILITY INSURANCE
2. you knowingly employ an employee in violation
of law;
A. How This Insurance Applies
3. you fail to comply with a health or safety law or
regulation; or This employers liability insurance applies to bodily
injury by accident or bodily injury by disease. Bodily
4. you discharge, coerce or otherwise discriminate injury includes resulting death.
against any employee in violation of the
workers compensation law. 1. The bodily injury must arise out of and in the
course of the injured employee’s employment
If we make any payments in excess of the benefits by you.
regularly provided by the workers compensation
law on your behalf, you will reimburse us promptly. 2. The employment must be necessary or
incidental to your work in a state or territory
listed in Item 3.A. of the Information Page.
G. Recovery From Others
3. Bodily injury by accident must occur during the
We have your rights, and the rights of persons policy period.
entitled to the benefits of this insurance, to recover
our payments from anyone liable for the injury. You 4. Bodily injury by disease must be caused or
will do everything necessary to protect those rights aggravated by the conditions of your
for us and to help us enforce them. employment. The employee’s last day of last
exposure to the conditions causing or
H. Statutory Provisions aggravating such bodily injury by disease must
occur during the policy period.
These statements apply where they are required by
law. 5. If you are sued, the original suit and any related
legal actions for damages for bodily injury by
1. As between an injured worker and us, we have accident or by disease must be brought in the
notice of the injury when you have notice. United States of America, its territories or
2. Your default or the bankruptcy or insolvency of possessions, or Canada.
you or your estate will not relieve us of our
duties under this insurance after an injury B. We Will Pay
occurs. We will pay all sums that you legally must pay as
3. We are directly and primarily liable to any damages because of bodily injury to your
person entitled to the benefits payable by this employees, provided the bodily injury is covered by
insurance. Those persons may enforce our this Employers Liability Insurance.
duties; so may an agency authorized by law.
The damages we will pay, where recovery is
Enforcement may be against us or against you
permitted by law, include damages:
and us.
1. For which you are liable to a third party by
4. Jurisdiction over you is jurisdiction over us for reason of a claim or suit against you by that
purposes of the workers compensation law. We third party to recover the damages claimed
are bound by decisions against you under that against
law, subject to the provisions of this policy that
are not in conflict with that law.
5. This insurance conforms to the parts of the
WC 00 00 00 C
(Ed. 1-15) 2 of 6
ã Copyright 2013 National Council on Compensation Insurance, Inc. All Rights Reserved.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 00 C
(Ed. 1-15)
such third party as a result of injury to your law or other federal occupational disease law,
employee; or any amendments to these laws;
2. For care and loss of services; and 9. Bodily injury to any person in work subject to
3. For consequential bodily injury to a spouse, the Federal Employers’ Liability Act (45 U.S.C.
child, parent, brother or sister of the injured Sections 51 et seq.), any other federal laws
employee; provided that these damages are obligating an employer to pay damages to an
the direct consequence of bodily injury that employee due to bodily injury arising out of or
arises out of and in the course of the injured in the course of employment, or any
employee’s employment by you; and amendments to those laws;
4. Because of bodily injury to your employee that 10. Bodily injury to a master or member of the crew
arises out of and in the course of employment, of any vessel, and does not cover punitive
claimed against you in a capacity other than as damages related to your duty or obligation to
employer. provide transportation, wages, maintenance,
and cure under any applicable maritime law;
C. Exclusions 11. Fines or penalties imposed for violation of
This insurance does not cover: federal or state law; and
1. Liability assumed under a contract. This 12. Damages payable under the Migrant and
exclusion does not apply to a warranty that Seasonal Agricultural Worker Protection Act
your work will be done in a workmanlike (29 U.S.C. Sections 1801 et seq.) and under
manner; any other federal law awarding damages for
violation of those laws or regulations issued
2. Punitive or exemplary damages because of thereunder, and any amendments to those
bodily injury to an employee employed in laws.
violation of law;
3. Bodily injury to an employee while employed in D. We Will Defend
violation of law with your actual knowledge or We have the right and duty to defend, at our
the actual knowledge of any of your executive
expense, any claim, proceeding or suit against you
officers;
for damages payable by this insurance. We have
4. Any obligation imposed by a workers the right to investigate and settle these claims,
compensation, occupational disease, proceedings and suits.
unemployment compensation, or disability We have no duty to defend a claim, proceeding or
benefits law, or any similar law; suit that is not covered by this insurance. We have
5. Bodily injury intentionally caused or aggravated no duty to defend or continue defending after we
by you; have paid our applicable limit of liability under this
6. Bodily injury occurring outside the United insurance.
States of America, its territories or possessions,
and Canada. This exclusion does not apply to E. We Will Also Pay
bodily injury to a citizen or resident of the We will also pay these costs, in addition to other
United States of America or Canada who is amounts payable under this insurance, as part of
temporarily outside these countries; any claim, proceeding, or suit we defend:
7. Damages arising out of coercion, criticism, 1. Reasonable expenses incurred at our request,
demotion, evaluation, reassignment, discipline, but not loss of earnings;
defamation, harassment, humiliation,
2. Premiums for bonds to release attachments
discrimination against or termination of any
and for appeal bonds in bond amounts up to
employee, or any personnel practices, policies,
acts or omissions; the limit of our liability under this insurance;
3. Litigation costs taxed against you;
8. Bodily injury to any person in work subject to
the Longshore and Harbor Workers’ 4. Interest on a judgment as required by law until
Compensation Act (33 U.S.C. Sections 901 et we offer the amount due under this insurance;
seq.), the Nonappropriated Fund and
Instrumentalities Act (5 U.S.C. Sections 8171 5. Expenses we incur.
et seq.), the Outer Continental Shelf Lands Act
(43 U.S.C. Sections 1331 et seq.), the Defense
Base Act (42 U.S.C. Sections 1651–1654), the
Federal Mine Safety and Health Act (30 U.S.C.
Sections 801 et seq. and 901–944), any other
federal workers or workmen’s compensation
WC 00 00 00 C
(Ed. 1-15) 3 of 6
ã Copyright 2013 National Council on Compensation Insurance, Inc. All Rights Reserved.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 00 C
(Ed. 1-15)
F. Other Insurance 2. The amount you owe has been determined with
We will not pay more than our share of damages our consent or by actual trial and final
and costs covered by this insurance and other judgment.
insurance or self-insurance. Subject to any limits of This insurance does not give anyone the right to
liability that apply, all shares will be equal until the add us as a defendant in an action against you to
loss is paid. If any insurance or self-insurance is determine your liability. The bankruptcy or
exhausted, the shares of all remaining insurance insolvency of you or your estate will not relieve us
and self-insurance will be equal until the loss is of our obligations under this Part.
paid. PART THREE
OTHER STATES INSURANCE
G. Limits of Liability
Our liability to pay for damages is limited. Our limits A. How This Insurance Applies
of liability are shown in Item 3.B. of the Information 1. This other states insurance applies only if one
Page. They apply as explained below. or more states are shown in Item 3.C. of the
1. Bodily Injury by Accident. The limit shown for Information Page.
“bodily injury by accident—each accident” is the 2. If you begin work in any one of those states
most we will pay for all damages covered by after the effective date of this policy and are not
this insurance because of bodily injury to one or insured or are not self-insured for such work, all
more employees in any one accident. provisions of the policy will apply as though that
A disease is not bodily injury by accident unless it state were listed in Item 3.A. of the Information
results directly from bodily injury by accident. Page.
2. Bodily Injury by Disease. The limit shown for 3. We will reimburse you for the benefits required
“bodily injury by disease—policy limit” is the by the workers compensation law of that state if
most we will pay for all damages covered by we are not permitted to pay the benefits directly
this insurance and arising out of bodily injury by to persons entitled to them.
disease, regardless of the number of 4. If you have work on the effective date of this
employees who sustain bodily injury by policy in any state not listed in Item 3.A. of the
disease. The limit shown for “bodily injury by Information Page, coverage will not be afforded
disease—each employee” is the most we will for that state unless we are notified within thirty
pay for all damages because of bodily injury by days.
disease to any one employee.
Bodily injury by disease does not include disease B. Notice
that results directly from a bodily injury by Tell us at once if you begin work in any state listed
accident. in Item 3.C. of the Information Page.
3. We will not pay any claims for damages after PART FOUR
we have paid the applicable limit of our liability YOUR DUTIES IF INJURY OCCURS
under this insurance.
Tell us at once if injury occurs that may be covered
H. Recovery From Others by this policy. Your other duties are listed here.
1. Provide for immediate medical and other
We have your rights to recover our payment from
services required by the workers compensation
anyone liable for an injury covered by this
insurance. You will do everything necessary to law.
protect those rights for us and to help us enforce 2. Give us or our agent the names and addresses
them. of the injured persons and of witnesses, and
other information we may need.
I. Actions Against Us 3. Promptly give us all notices, demands and legal
There will be no right of action against us under this
insurance unless:
1. You have complied with all the terms of this
policy; and
WC 00 00 00 C
(Ed. 1-15) 4 of 6
ã Copyright 2013 National Council on Compensation Insurance, Inc. All Rights Reserved.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 00 C
(Ed. 1-15)
papers related to the injury, claim, proceeding D. Premium Payments
or suit. You will pay all premium when due. You will pay the
4. Cooperate with us and assist us, as we may premium even if part or all of a workers
request, in the investigation, settlement or compensation law is not valid.
defense of any claim, proceeding or suit.
5. Do nothing after an injury occurs that would E. Final Premium
interfere with our right to recover from others. The premium shown on the Information Page,
6. Do not voluntarily make payments, assume schedules, and endorsements is an estimate. The
obligations or incur expenses, except at your final premium will be determined after this policy
own cost. ends by using the actual, not the estimated,
PART FIVE—PREMIUM premium basis and the proper classifications and
rates that lawfully apply to the business and work
covered by this policy. If the final premium is more
A. Our Manuals than the premium you paid to us, you must pay us
All premium for this policy will be determined by our the balance. If it is less, we will refund the balance
manuals of rules, rates, rating plans and to you. The final premium will not be less than the
classifications. We may change our manuals and highest minimum premium for the classifications
apply the changes to this policy if authorized by law covered by this policy.
or a governmental agency regulating this insurance.
If this policy is canceled, final premium will be
determined in the following way unless our manuals
B. Classifications provide otherwise:
Item 4 of the Information Page shows the rate and 1. If we cancel, final premium will be calculated
premium basis for certain business or work pro rata based on the time this policy was in
classifications. These classifications were assigned force. Final premium will not be less than the
based on an estimate of the exposures you would pro rata share of the minimum premium.
have during the policy period. If your actual
exposures are not properly described by those 2. If you cancel, final premium will be more than
classifications, we will assign proper classifications, pro rata; it will be based on the time this policy
rates and premium basis by endorsement to this was in force, and increased by our short-rate
policy. cancellation table and procedure. Final
premium will not be less than the minimum
premium.
C. Remuneration
Premium for each work classification is determined F. Records
by multiplying a rate times a premium basis.
Remuneration is the most common premium basis. You will keep records of information needed to
This premium basis includes payroll and all other compute premium. You will provide us with copies
remuneration paid or payable during the policy of those records when we ask for them.
period for the services of:
G. Audit
1. all your officers and employees engaged in
work covered by this policy; and You will let us examine and audit all your records
that relate to this policy. These records include
2. all other persons engaged in work that could ledgers, journals, registers, vouchers, contracts, tax
make us liable under Part One (Workers
reports, payroll and disbursement records, and
Compensation Insurance) of this policy. If you programs for storing and retrieving data. We may
do not have payroll records for these persons,
conduct the audits during regular business hours
the contract price for their services and
during the policy period and within three years after
materials may be used as the premium basis.
the policy period ends. Information developed by
This paragraph 2 will not apply if you give us
audit will be used to determine final premium.
proof that the employers of these persons
Insurance rate service organizations have the same
lawfully secured their workers compensation
rights we have under this provision.
obligations.
WC 00 00 00 C
(Ed. 1-15) 5 of 6
ã Copyright 2013 National Council on Compensation Insurance, Inc. All Rights Reserved.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 00 00 C
(Ed. 1-15)
PART SIX—CONDITIONS If you die and we receive notice within thirty days
after your death, we will cover your legal
A. Inspection representative as insured.
We have the right, but are not obliged to inspect
your workplaces at any time. Our inspections are D. Cancellation
not safety inspections. They relate only to the 1. You may cancel this policy. You must mail or
insurability of the workplaces and the premiums to deliver advance written notice to us stating
be charged. We may give you reports on the when the cancellation is to take effect.
conditions we find. We may also recommend 2. We may cancel this policy. We must mail or
changes. While they may help reduce losses, we deliver to you not less than ten days advance
do not undertake to perform the duty of any person written notice stating when the cancellation is to
to provide for the health or safety of your take effect. Mailing that notice to you at your
employees or the public. We do not warrant that mailing address shown in Item 1 of the
your workplaces are safe or healthful or that they Information Page will be sufficient to prove
comply with laws, regulations, codes or standards. notice.
Insurance rate service organizations have the same
rights we have under this provision. 3. The policy period will end on the day and hour
stated in the cancellation notice.
B. Long Term Policy 4. Any of these provisions that conflict with a law
that controls the cancellation of the insurance in
If the policy period is longer than one year and this policy is changed by this statement to
sixteen days, all provisions of this policy will apply comply with the law.
as though a new policy were issued on each annual
anniversary that this policy is in force.
E. Sole Representative
C. Transfer of Your Rights and Duties The insured first named in Item 1 of the Information
Page will act on behalf of all insureds to change this
Your rights or duties under this policy may not be policy, receive return premium, and give or receive
transferred without our written consent.
notice of cancellation.
WC 00 00 00 C
(Ed. 1-15) 6 of 6
ã Copyright 2013 National Council on Compensation Insurance, Inc. All Rights Reserved.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 06
(Ed. 8-84)
PREMIUM DISCOUNT ENDORSEMENT
The premium for this policy and the policies, if any, listed in Item 3 of the Schedule may be eligible for a discount. This
endorsement shows your estimated discount in Items 1 or 2 of the Schedule. The final calculation of premium discount
will be determined by our manuals and your premium basis as determined by audit. Premium subject to retrospective
rating is not subject to premium discount.
Schedule
1. State Estimated Eligible Premium
First Next Next
Tennessee
2 Average percentage discount:
3. Other policies:
4. If there are no entries in Items 1, 2 and 3 of the Schedule, see the Premium Discount Endorsement attached to
your policy number:
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 06
(Ed.8-84) 1 of 1
© 1983 National Council on Compensation Insurance.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 06 A
(Ed. 7-95)
PREMIUM DISCOUNT ENDORSEMENT
The premium for this policy and the policies, if any, listed in Item 3 of the Schedule may be eligible for a discount. This
endorsement shows your estimated discount in Items 1 or 2 of the Schedule. The final calculation of premium discount
will be determined by our manuals and your premium basis as determined by audit. Premium subject to retrospective
rating is not subject to premium discount.
Schedule
1. State Estimated Eligible Premium
First Next Next
3. Other policies:
4. If there are no entries in Items 1, 2 and 3 of the Schedule, see the Premium Discount Endorsement attached to
your policy number:
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 06 A
(Ed.7-95) 1 of 1
© 1995 National Council on Compensation Insurance.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 14
(Ed. 7-90)
NOTIFICATION OF CHANGE IN OWNERSHIP ENDORSEMENT
Experience rating is mandatory for all eligible insureds. The experience rating modification factor, if any, applicable to
this policy, may change if there is a change in your ownership or in that of one or more of the entities eligible to be
combined with you for experience rating purposes. Change in ownership includes sales, purchases, other transfers,
mergers, consolidations, dissolutions, formations of a new entity and other changes provided for in the applicable
experience rating plan manual.
You must report any change in ownership to us in writing within 90 days of such change. Failure to report such
changes within this period may result in revision of the experience rating modification factor used to determine your
premium.
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 14
(Ed.7-90)
© 1990 National Council on Compensation Insurance.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 19
(Ed. 1-01)
PREMIUM DUE DATE ENDORSEMENT
This endorsement is used to amend:
Section D. of Part Five of the policy is replaced by this provision.
PART FIVE
PREMIUM
D. Premium is amended to read:
You will pay all premium when due. You will pay the premium even if part or all of a workers compensation law is
not valid. The due date for audit and retrospective premiums is the date of the billing.
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 19
(Ed.1-01)
© 2000 National Council on Compensation Insurance Inc.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 21 D
(Ed. 1-15)
CATASTROPHE (OTHER THAN CERTIFIED ACTS OF TERRORISM) PREMIUM ENDORSEMENT
This endorsement is notification that your insurance carrier is charging premium to cover the losses that may occur in
the event of a Catastrophe (other than Certified Acts of Terrorism) as that term is defined below. Your policy provides
coverage for workers compensation losses caused by a Catastrophe (other than Certified Acts of Terrorism). This
premium charge does not provide funding for Certified Acts of Terrorism contemplated under the Terrorism Risk
Insurance Program Reauthorization Act Disclosure Endorsement (WC 00 04 22 B), attached to this policy.
For purposes of this endorsement, the following definitions apply:
· Catastrophe (other than Certified Acts of Terrorism): Any single event, resulting from an Earthquake, Noncertified
Act of Terrorism, or Catastrophic Industrial Accident, which results in aggregate workers compensation losses in
excess of $50 million.
· Earthquake: The shaking and vibration at the surface of the earth resulting from underground movement along a
fault plane or from volcanic activity.
· Noncertified Act of Terrorism: An event that is not certified as an Act of Terrorism by the Secretary of Treasury
pursuant to the Terrorism Risk Insurance Act of 2002 (as amended) but that meets all of the following criteria:
a.It is an act that is violent or dangerous to human life, property, or infrastructure;
b.The act results in damage within the United States, or outside of the United States in the case of the premises
of United States missions or air carriers or vessels as those terms are defined in the Terrorism Risk
Insurance Act of 2002 (as amended); and
c.It is an act that has been committed by an individual or individuals as part of an effort to coerce the civilian
population of the United States or to influence the policy or affect the conduct of the United States
Government by coercion.
· Catastrophic Industrial Accident: A chemical release, large explosion, or small blast that is localized in nature and
affects workers in a small perimeter the size of a building.
The premium charge for the coverage your policy provides for workers compensation losses caused by a
Catastrophe (other than Certified Acts of Terrorism) is shown in Item 4 of the Information Page or in the Schedule
below.
Schedule
State Rate Premium
Idaho
New York
Tennessee
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 21 D
(Ed.1-15) 1 of 1
© 1990 National Council on Compensation Insurance.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 22 B
(Ed. 1-15)
TERRORISM RISK INSURANCE PROGRAM REAUTHORIZATION ACT DISCLOSURE ENDORSEMENT
This endorsement addresses the requirements of the Terrorism Risk Insurance Act of 2002 as amended and extended
by the Terrorism Risk Insurance Program Reauthorization Act of 2015. It serves to notify you of certain limitations
under the Act, and that your insurance carrier is charging premium for losses that may occur in the event of an Act of
Terrorism.
Your policy provides coverage for workers compensation losses caused by Acts of Terrorism, including workers
compensation benefit obligations dictated by state law. Coverage for such losses is still subject to all terms,
definitions, exclusions, and conditions in your policy, and any applicable federal and/or state laws, rules, or
regulations.
Definitions
The definitions provided in this endorsement are based on and have the same meaning as the definitions in the Act. If
words or phrases not defined in this endorsement are defined in the Act, the definitions in the Act will apply.
“Act” means the Terrorism Risk Insurance Act of 2002, which took effect on November 26, 2002, and any
amendments thereto, including any amendments resulting from the Terrorism Risk Insurance Program
Reauthorization Act of 2015.
“Act of Terrorism” means any act that is certified by the Secretary of the Treasury, in consultation with the Secretary of
Homeland Security, and the Attorney General of the United States as meeting all of the following requirements:
a. The act is an act of terrorism.
b. The act is violent or dangerous to human life, property or infrastructure.
c. The act resulted in damage within the United States, or outside of the United States in the case of the premises of
United States missions or certain air carriers or vessels.
d. The act has been committed by an individual or individuals as part of an effort to coerce the civilian population of
the United States or to influence the policy or affect the conduct of the United States Government by coercion.
“Insured Loss” means any loss resulting from an act of terrorism (and, except for Pennsylvania, including an act of
war, in the case of workers compensation) that is covered by primary or excess property and casualty insurance
issued by an insurer if the loss occurs in the United States or at the premises of United States missions or to certain
air carriers or vessels.
“Insurer Deductible” means, for the period beginning on January 1, 2015, and ending on December 31, 2020, an
amount equal to 20% of our direct earned premiums, during the immediately preceding calendar year.
Limitation of Liability
The Act limits our liability to you under this policy. If aggregate Insured Losses exceed $100,000,000,000 in a calendar
year and if we have met our Insurer Deductible, we are not liable for the payment of any portion of the amount of
Insured Losses that exceeds $100,000,000,000; and for aggregate Insured Losses up to $100,000,000,000, we will
pay only a pro rata share of such Insured Losses as determined by the Secretary of the Treasury.
Policyholder Disclosure Notice
1. Insured Losses would be partially reimbursed by the United States Government. If the aggregate industry Insured
Losses exceed:
a. $100,000,000, with respect to such Insured Losses occurring in calendar year 2015, the United States
Government would pay 85% of our Insured Losses that exceed our Insurer Deductible.
b. $120,000,000, with respect to such Insured Losses occurring in calendar year 2016, the United States
Government would pay 84% of our Insured Losses that exceed our Insurer Deductible.
c. $140,000,000, with respect to such Insured Losses occurring in calendar year 2017, the United States
Government would pay 83% of our Insured Losses that exceed our Insurer Deductible.
d. $160,000,000, with respect to such Insured Losses occurring in calendar year 2018, the United States
Government would pay 82% of our Insured Losses that exceed our Insurer Deductible.
WC 00 04 22 B
(Ed.1-15) 1 of 2
© copyright 2015 National Council on Compensation Insurance, Inc. All Rights Reserved.
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 22 B
(Ed. 1-15)
e. $180,000,000, with respect to such Insured Losses occurring in calendar year 2019, the United States
Government would pay 81% of our Insured Losses that exceed our Insurer Deductible.
f. $200,000,000, with respect to such Insured Losses occurring in calendar year 2020, the United States
Government would pay 80% of our Insured Losses that exceed our Insurer Deductible.
2. Notwithstanding item 1 above, the United States Government will not make any payment under the Act for any
portion of Insured Losses that exceed $100,000,000,000.
3. The premium charge for the coverage your policy provides for Insured Losses is included in the amount shown in
Item 4 of the Information Page or in the Schedule below.
Schedule
State Rate Premium
Idaho
New York
Tennessee
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 22 B
(Ed.1-15) 2 of 2
© copyright 2015 National Council on Compensation Insurance, Inc. All Rights Reserved.
000632
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WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 24
(Ed. 1-17)
AUDIT NONCOMPLIANCE CHARGE ENDORSEMENT
Part Five—Premium, Section G. (Audit) of the Workers Compensation and Employers Liability Insurance Policy is
revised by adding the following:
If you do not allow us to examine and audit all of your records that relate to this policy, and/or do not provide audit
information as requested, we may apply an Audit Noncompliance Charge. The method for determining the Audit
Noncompliance Charge by state, where applicable, is shown in the Schedule below.
If you allow us to examine and audit all of your records after we have applied an Audit Noncompliance Charge, we will
revise your premium in accordance with our manuals and Part 5—Premium, E. (Final Premium) of this policy.
Failure to cooperate with this policy provision may result in the cancellation of your insurance coverage, as specified
under the policy.
Note:
For coverage under state-approved workers compensation assigned risk plans, failure to cooperate with this policy
provision may affect your eligibility for coverage.
Schedule
State(s) Basis of Audit Noncompliance Maximum Audit Noncompliance
Charge Charge Multiplier
Idaho Estimated Annual Premium Up to Two Times
Tennessee Estimated Annual Premium Up to Two Times
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 24
(Ed.1-17) 1 of 1
© Copyright 2015 National Council on Compensation Insurance, Inc. All Rights Reserved.
000633
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 321 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 00 04 25
(Ed. 5-17)
EXPERIENCE RATING MODIFICATION FACTOR REVISION ENDORSEMENT
This endorsement is added to Part Five—Premium of the policy.
The premium for the policy is adjusted by an experience rating modification factor. The factor shown on the
Information Page may be revised and applied to the policy in accordance with our manuals and endorsements. We will
issue an endorsement to show the revised factor, if different from the factor shown, when it is calculated.
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 00 04 25
(Ed. 05-17)
ã Copyright 2016 National Council on Compensation Insurance, Inc. All Rights Reserved.
000634
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 322 of 508
NEW YORK WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 31 03 08
(Ed. 1-00)
NEW YORK LIMIT OF LIABILITY ENDORSEMENT
This endorsement applies only to the insurance provided by Part Two (Employers Liability Insurance) because New
York is shown in Item 3.A. of the Information Page.
We may not limit our liability to pay damages for which we become legally liable to pay because of bodily injury
to your employees if the bodily injury arises out of and in the course of employment that is subject to and is
compensable under the Workers' Compensation Law of New York.
WC 31 03 08
(Ed. 1-00)
© 1987 New York Compensation Insurance Rating Board
000635
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 323 of 508
NEW YORK WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 31 03 19 I
(Ed. 01-18)
NEW YORK CONSTRUCTION CLASSIFICATION PREMIUM ADJUSTMENT PROGRAM
EXPLANATORY ENDORSEMENT
The New York Construction Classification Premium Adjustment Program (NYCCPAP) allows premium credits for
some employers in the construction industry. These credits exist to recognize the difference in wage rates between
employers within the same construction industries in New York.
The declarations section of this policy will show a credit of 0.00% if you are not eligible for this credit, or if you are
eligible for this credit and have not yet applied for a credit. Credits are earned for average wages in excess of $23.24 per
hour for each eligible class. If your policy shows one of the following classification codes, and you are experience rated,
you are eligible to apply for an NYCCPAP credit:
0042 5057 5193 5429 5491 5606 6003 6229 6325 9526
3365 5059 5213 5443 5506 5610 6005 6233 6400 9527
3724 5069 5221 5445 5507 5645 6017 6235 6701 9534
3726 5102 5222 5462 5508 5648 6018 6251 7536 9539
3737 5160 5223 5473 5536 5651 6045 6252 7538 9545
5000 5183 5348 5474 5538 5701 6204 6260 7601 9549
5022 5184 5402 5479 5545 5703 6216 6306 7855 9553
5037 5188 5403 5480 5547 5709 6217 6319 8227
5040 5190 5428
The basis for determining the credit is the limited payroll of each employee for the number of hours worked
(excluding overtime premium pay) for each construction classification (other than employees engaged in the
construction of one or two-family residential housing) for the third quarter, as reported to taxing authorities, for the
year preceding the policy date. Total payroll is to continue to be reported for employees engaged in the construction
of one or two-family residential housing. For example:
POLICY EFFECTIVE DATE THIRD QUARTER PAYROLL
4/1/16 thru 3/31/17 2015
4/1/17 thru 3/31/18 2016
4/1/18 thru 3/31/19 2017
4/1/19 thru 3/31/20 2018
4/1/20 thru 3/31/21 2019
4/1/21 thru 3/31/22 2020
If you have any eligible classes on your policy, you should have been notified by your insurance carrier or the New
York Compensation Insurance Rating Board approximately four months prior to the inception date of this policy. If you
believe you may be eligible for a credit and have not received an application, you should immediately contact your agent,
insurance carrier, or the New York Compensation Insurance Rating Board.
Credits are calculated by the New York Compensation Insurance Rating Board. You must submit a completed
application to: Attention: Field Services Department, New York Compensation Insurance Rating Board, 733 Third
Avenue, New York, New York 10017.
Applications must be received by the Rating Board three (3) months prior to the policy renewal effective date. The
Rating Board will accept and process an application if it is received between the policy effective and expiration date,
however, it must be accompanied by a letter stating the reason for the delay. Under no circumstances will an application
be accepted for any policy if it is received after the expiration date of the policy. For short-term policies the application
must be received prior to the expiration date of the short-term policy. If it is received after the policy expiration, no credit
will be calculated.
The New York Workers Compensation and Employers Liability Insurance Manual, and not this endorsement,
govern the implementation and use of the NYCCPAP.
For online entry of the information requested on this form refer to: http://www.nycirb.org/cpap
WC 31 03 19 I
(Ed. 01-18)
© 2011New York Compensation Insurance Rating Board
000636
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 324 of 508
NEW YORK WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 31 04 05
(Ed. 10-17)
NEW YORK SAFE PATIENT HANDLING ACT PROGRAM
EXPLANATORY ENDORSEMENT
The New York Safe Patient Handling Act Program (NYSPHAP) allows a premium credit for New York
employers in the healthcare industry. This credit exists to recognize compliance with section 2997-k(2) of the New York
State Public Health Law.
The declarations section of this policy will show a credit of 2.5% if you are eligible for this credit. You are eligible
for a NYSPHAP credit if you are in compliance with the requirements of New York State Public Health Law Section
2997-k(2) and your policy contains classification codes subject to the NYSPHAP, which may include, but are not limited
to the following:
8829 Nursing Home–All Employees
8833 Hospital–Professional Employees
8865 Alcohol or Drug Rehabilitation Facility-All Employees-& Clerical
8866 Assisted Living Facility-All Employees & Clerical
9040 Hospital–All Other Employees
Contact your broker, agent, or insurance carrier if you believe you are eligible for a NYSPHAP credit.
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 31 04 05
(Ed. 10-17)
© 2016 New York Compensation Insurance Rating Board
000637
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 325 of 508
NEW YORK WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 31 06 18
(Ed. 3-15)
NEW YORK WORKERS COMPENSATION
POLICYHOLDER NOTICE OF RIGHT TO APPEAL
Policyholder Disputes
Policyholders are entitled to inquire, challenge and dispute issues relating to classification, ownership, premium auditing,
and/or other New York Compensation Insurance Rating Board (NYCIRB) rulings or decisions pertaining to this policy.
Please refer to the Employer’s Appeal Process noted below.
Inquiries may also be directed to the New York State Department of Financial Services (DFS) at:
http://www.dfs.ny.gov/about/contactus.htm#consumer
or by calling the Consumer Hotline at 800- 342 – 3736 (Monday through Friday, 8:30 AM to 4:30 PM).
Policyholder Right to Appeal
An insured, or its representative, (hereafter referred to as "insured"), may appeal the application of a rule or procedure
contained in the NY Workers Compensation & Employers Liability Manual. Rules or procedures are defined as those
determinations, either by a carrier or the Rating Board, which define the variables which makeup the policy conditions.
Examples include: classification codes, ownership information, premium audits, and any other determination which may
affect the policy.
To be considered for review, a written request explaining the reason(s) for the appeal must be submitted to the Rating
Board. Upon receipt of the request for review, the following actions will be taken:
1. A staff member will review the request and respond to the insured within sixty (60) days, in writing, acknowledging
receipt of the request, granting the insured its request or sustaining its original ruling.
2. The insured, if not satisfied with the outcome in 1. above, may then request, in writing, a conference with members
of the Rating Board staff. The request must state the nature of the complaint and contain any supporting
documents. The appropriate Department Vice President or his or her designated representative, if appropriate, will
preside at the conference.
3. If the dispute is not resolved at the conference, the insured may then appeal to the Underwriting Committee of the
Rating Board for a hearing to consider the staff ruling. This appeal must be in writing and must specify the
reason(s) for the appeal and the nature of the complaint.
Following, receipt of the appeal, the insured will be notified regarding the time and place for the hearing. The
appeal will be heard at the next Underwriting Committee meeting for which appropriate time can be given for this
matter. Subsequent to the hearing, the insured will be advised, in writing, of the Underwriting Committee decision
regarding its complaint.
4. If the Underwriting Committee ruling is not satisfactory to the insured, the insured may then request a hearing at
the New York State Department of Financial Services to consider the decision of the Rating Board's Underwriting
Committee.
5. The New York State Department of Financial Services decision may be appealed to a higher court, by either the
insured or the Rating Board
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 31 06 18
(Ed. 3-15)
1 of 1
© 2015 New York Compensation Insurance Rating Board
000638
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 326 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 99 04 01
(Ed. 10-17)
INSTALLMENT PAYMENT ENDORSEMENT
Schedule
Estimated Tax and/or
Annual Assessment Amount
Due Date Premium Charges Due
08/30/2018
(If no entry appears above, information required to complete this Endorsement will be shown in the
Declarations as applicable to this Endorsement.)
Total Deposit Premium
It is agreed that the deposit premium for the policy to which this endorsement is attached is payable in
installments on the due dates shown in the Schedule applicable to this endorsement.
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. 1 Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 99 04 01
(Ed.10-17) 1 of 1
Copyright © 2017 Allianz Global Risks US Insurance Company. All rights reserved.
000639
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 327 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 99 06 82
(Ed. 04-15)
ECONOMIC OR TRADE SANCTIONS COMPLIANCE
The following is added to the Policy and replaces any other provision in the Policy addressing economic or trade
sanctions:
This insurance does not apply to the extent that economic or trade sanctions or other laws or regulations prohibit us
(the Company) from providing insurance.
All other terms and conditions of the policy remain unchanged.
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 99 06 82
(Ed.04-15) 1 of 1
Copyright © 2017 Allianz Global Risks US Insurance Company. All rights reserved.
000640
Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 328 of 508
WORKERS COMPENSATION AND EMPLOYERS LIABILITY INSURANCE POLICY WC 99 06 86
(Ed. 10-17)
SIGNATURE ENDORSEMENT
In Witness whereof, the Company has caused this policy to be signed by its president and secretary.
Secretary President
This endorsement changes the policy to which it is attached and is effective on the date issued unless otherwise stated.
(The information below is required only when this endorsement is issued subsequent to preparation of the policy.)
Endorsement Effective 07/02/2018 Policy No. Endorsement No.
Insured Concert Investor, LLC Premium
Insurance Company American Automobile Insurance
Company Countersigned by
WC 99 06 86
(Ed.10-17)
Copyright © 2017 Allianz Global Risks US Insurance Company. All rights reserved.
.
000641
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000704
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000705
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000706
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000707
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000708
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000709
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000710
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000711
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000715
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000716
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000729
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000730
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000731
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000773
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[pseudonym/initial]
000911
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[pseudonym/initial]
000912
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000961
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CLICK HERE - Public Article
https://iflyer.tv/twentyonepilots/voice/yt/CURe-Upjts8/
000969
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000970
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000971
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000972
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Shuttered Venue Operators Grants
Frequently Asked Questions | October 20, 2021
The Shuttered Venue Operators Grant (SVOG) program was established in Section 324 of the Economic
Aid to Hard-Hit Small Businesses, Nonprofits and Venues Act (Economic Aid Act) (15 U.S.C. 9009a) signed
into law on December 27, 2020, as part of H.R. 133 Consolidated Appropriations Act, 2021 (Public Law No.
116-260). Section 324 of the Economic Aid Act was amended by Section 5005 of the American Rescue Plan
Act (Public Law No. 117-2) signed into law on March 11, 2021.
This list of Frequently Asked Questions (FAQs) answers common questions about the SVOG program,
defines terms, and provides additional guidance. For information on the documentation required for an
SVOG application, see the Application Checklist. For technical assistance and step-by-step instructions
for the application portal, see the Applicant User Guide. For a reference for all application questions, see
the Shuttered Venue Operators Grant Application SBA Form 3515. Please refer to and carefully review the
FAQs for guidance as you complete the SVOG application (SBA Form 3515).
The SBA updated these FAQs and reorganized the questions for clarity. The answers are as of October 20,
2021 (those marked with are new and/or the content is substantially changed from the July 22, version).
Contents
Eligibility ......................................................................................................................................................... 2
All Applicants ............................................................................................................................................. 2
Museum or Movie Theatre Operator ......................................................................................................... 7
Live Venue Operator or Promoter ............................................................................................................. 8
Talent Representative ............................................................................................................................. 12
Application .................................................................................................................................................... 13
Taxes and 4506-T ..................................................................................................................................... 22
Prioritization ............................................................................................................................................ 22
Use of Funds ................................................................................................................................................. 23
Business Size/Employees ............................................................................................................................. 28
Revenue ........................................................................................................................................................ 30
Subsidiaries & Affiliates ................................................................................................................................ 33
Appeals.......................................................................................................................................................... 36
Reconsideration ........................................................................................................................................... 37
Supplemental Phase .................................................................................................................................... 38
Definitions ..................................................................................................................................................... 40
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19. If an eligible entity has applied for or received any grants, loans, or other funding from a state
or local governmental relief program is it still eligible to receive an SVOG?
Yes. Receipt of pandemic-related or other assistance from state or local governments does not
disqualify an eligible entity from the SVOG program.
20. Does the SVOG eligibility exclusion of entities that received more than 10% of their 2019 gross
revenue from the Federal government apply to eligible entities owned by Tribal, state, or local
governments, including entities owned by public colleges and universities?
No. The Economic Aid Act provides that, for government-owned entities, the eligible entity is the live
venue operator or promoter, live performing arts organization operator, museum operator, movie
theatre operator or owner, or talent representative and does not include any government-owned
entity that is not one of those types of entities.
The only form of Tribally owned entity that is eligible for SVOG assistance is a Tribally owned
museum. Tribally owned museums are specifically authorized to be eligible for SVOG assistance. The
Economic Aid Act did not explicitly include tribes as a form of government, but the SBA considers
tribes as government entities in its financial assistance programs.
21. Are service and support companies that provide stages, lighting, sound, casts, and other
support for live performing arts events or which showcase performers or pre-packaged
productions to potential buyers eligible to apply for an SVOG?
No. The Economic Aid Act is designed to assist only those eligible entities identified in the statute.
SVOGs are not available for service providers that support eligible entities.
22. Are entities whose broader business operations include hosting live performing arts events,
such as agricultural fairs or party boats/pleasure cruises that feature concerts, eligible?
Maybe. To be eligible, an agricultural fair or entertainment cruise must show that its principal
business activity is presenting live performing arts events that also include other secondary activities
such as agricultural shows or boat tours. Its principal business activity must be acting as one of
eligible entity types in the statute.
23. Are applicants currently involved in bankruptcy proceedings eligible?
Possibly. Eligible entities undergoing a reorganization form of bankruptcy (such as Chapter 11 or
Chapter 13) may apply for an SVOG if they entered bankruptcy after February 29, 2020. However,
entities undergoing a liquidation form of bankruptcy (such as Chapter 7) are not eligible because the
SVOG program is intended for entities that are currently operating or intend to resume full
operations.
In addition, SVOGs made to entities undergoing reorganization bankruptcy may, in SBA’s discretion,
be subject to additional documentation requirements designed to reduce the risk of loss of taxpayer
funds.
24. Are entities located in US territories eligible?
Yes. Under the Economic Aid Act, in addition to those located in states, eligible entities in the District
of Columbia, the Commonwealth of Puerto Rico, and any other territory or possession of the United
States (e.g., Guam, American Samoa, the U.S. Virgin Islands) are able to apply for an SVOG.
25. Is an entity that received CARES Act funding eligible to apply?
Yes. Per the Economic Aid Act, receipt of CARES Act funding does not disqualify an entity for SVOGs.
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148. Can SVOG funds be used to reimburse an owner who put their own money into the entity to
keep employees and operating expenses paid?
Yes. Owners of eligible entities may be fully reimbursed for personal funds they contribute(d) to an
entity to keep it in operation between March 1, 2020, and December 31, 2021 (or June 30, 2022, if the
entity receives a supplemental phase award), provided sufficient documentation of the transfer and
expenditure of such funds exists. Without such documentation, claimed owner reimbursements will
be treated as compensation or distributions of profits and subject to the cap on such payments noted
in question 4 in this section.
149. Can an entity use funds for owner compensation?
Yes. Owner compensation, including distributions and dividends, will be treated as an ordinary
business expense and thus payable using SVOG funds to the extent that the total amounts involved
do not exceed what an owner received in compensation in 2019.
150. Can grantees use SVOG funds to reimburse themselves for allowable expenses they already
paid going back as far as March 1, 2020?
Yes.
151. Is debt refinanced or consolidated under a new lender, but which existed prior to February
15, 2020, considered an eligible expense? What about a line of credit or revolving loan that
existed prior to February 15, 2020, but was drawn down after that date?
Yes. Payments toward debts recorded prior to February 15, 2020, represent an allowable expense
even if the debt was refinanced or consolidated with other debts that existed prior to that cutoff date.
Any otherwise allowable debt consolidated with a debt that was not recorded prior to February 15,
2020, would continue to be an allowable expense only to the extent of the original qualifying debt.
Any additional amount of indebtedness following the consolidation that is attributable to the
nonqualifying loan would not be an allowable expense.
Additionally, payments on lines of credit or revolving loan funds recorded prior to February 15, 2020,
but not drawn down until after that date would also be an allowable expense.
Where an existing line of credit or revolving loan fund was increased after February 15, 2020, only the
pre-February 15, 2020, amount would represent an allowable expense. SVOG funds could not be used
to make payments on any increase in the indebtedness.
152. Do ‘state and local taxes’ identified as allowable expenses include real estate taxes and
personal property taxes on buildings and equipment?
Yes. Where real estate taxes and personal property taxes are levied on buildings and equipment
directly related to eligible SVOG program operations they may be paid using grant funds. Taxes on
property and equipment owned by an eligible entity not directly related to its SVOG program
operations are not an allowable expense.
153. Can an entity put SVOG funds into an interest-bearing bank account?
Yes. The grantee must maintain advance payments in interest bearing accounts and the limit on
interest earned on grant fund deposits is $500 per year, as per 2 CFR 200.305. Any interest over $500
must be remitted to the Department of Health and Human Services Payment Management System.
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235. How does an applicant initiate the reconsideration process?
Applicants who are eligible for the reconsideration process will receive an email notification inviting
them to opt-in to reconsideration through the portal—the notification will also be available in the
SVOG portal.
236. How long do applicants have to apply for reconsideration?
From the date that the invitation for reconsideration is distributed, applicants will have two weeks to
submit a request. For all who request within the initial two-week appeals window, funding for
reconsideration will be preserved. Although applicants may request reconsideration after the two-
week window, there is no guarantee that funding will remain available.
237. What information is requested during the reconsideration process?
Applicants are asked to upload a signed statement explaining why their initial award does not reflect
their actual total revenue loss. Applicants should also upload any new financial documents from the
Application Checklist, as well as any of the following that will help the applicant substantiate their
actual total revenue loss:
a. State tax returns
b. Updated externally or internally prepared and signed financial statements such as
Income Statement or Profit and Loss Statement with revenue line items to calculate the
70% of revenue from eligible activities
c. Third-party ticket system or third-party merchant accounts
d. CPA comfort letters or CPA firm attestations (not required, but may help applicants
successfully advance through the review process in combination with one of the above)
Supplemental Phase
238. If all SVOG program funds are expended during the program’s initial phase, what will the
SBA do with regard to making supplemental awards?
All SVOG funding will not be expended during the program’s initial phase.
239. For seasonally operated entities, will an alternative earned revenue loss comparison of Q1
2021 to Q1 2019 method be used for supplemental award eligibility?
Yes, where an entity operates seasonally rather than year-round, the SBA will permit the seasonally-
operated entity to compare its Q2 2021 earned revenues to its Q2 2019 earned revenues to
demonstrate whether it has experienced the 70% earned revenue loss required for supplemental
grants.
240. Can eligible entities include an application for a supplemental grant as part of the initial
grant request, or will they be required to submit a separate supplemental application later?
Eligible entities cannot include a supplemental application as part of the initial request. Consistent
with the Economic Aid Act, the SBA will finish the initial round of awards before proceeding to the
supplemental phase.
241. Will supplemental grant amounts be based on earned or gross revenue?
Earned revenue.
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242. For applicants who had PPP awards subtracted from their initial SVOG, will the
supplemental grant amount be based on the initial grant amount before subtracting PPP or the
amount disbursed?
Supplemental awards will be based on the initial grant amount before subtracting PPP (the higher
amount).
243. Who is eligible for a supplemental award?
Any applicant who has made no materials changes to the business and meets both the following:
a. Received an initial SVOG with a value of less than $10 million, and
b. Applicants whose Q1 2021 earned revenue was no more than 30 percent of their Q1 2019
earned revenue. For applicants that were not in operation in Q1 2019, their first quarter
earned revenues will be used instead.
Including any applications who meet the two above criteria after a successful appeal.
244. How do eligible applicants indicate their interest in a supplemental award?
Eligible applicants will receive an email notifying them that they are eligible to apply for a
supplemental award—the invitation will also be in the SVOG portal. Interested applicants may apply
for a supplemental award by responding to this invitation through the portal.
245. How long do applicants have to apply for a supplemental award?
There will be a two-week window to apply for a supplemental award. Applicants who apply any time
in the initial two-week window will be considered for a supplemental award. Should additional
funding remain available after supplemental awards are granted to all eligible entities who applied in
the initial two-week window, the Administrator may open a subsequent award window.
246. How are the supplemental award amounts determined?
Supplemental award amounts, as defined in statute, will be fifty percent of an applicant’s initial
award, not to exceed a combined total of $10 million in initial award and supplemental award for a
single entity. Groups of affiliated museums may not exceed $10 million in total funding as a group.
247. Will all eligible applicants receive a supplemental award?
Should not enough funding be available to grant a supplemental award to all eligible applicants who
apply within the initial two-week window, SBA will give priority to applicants with the greatest
revenue loss in Q1 2021 relative to Q1 2019 (or their first quarter of earned revenue for those
businesses not in operation in Q1 2019).
248. How does the appeal process affect an applicant’s supplemental award?
If an applicant’s appeal is granted and the applicant is eligible for a supplemental award, the
applicant will receive an email notifying them that they are eligible to apply for a supplemental
award.
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21. Open
Being “open” includes operations such as maintaining facilities, paying employees, and/or planning
and preparing to eventually resume staging, producing, promoting, or booking clients for live
performing arts events, screening motion pictures, or presenting exhibitions.
22. Ordinary and necessary expenses
An ordinary expense is one that is common and accepted in your trade or business. A necessary
expense is one that is helpful and appropriate for your trade or business. An expense does not have to
be indispensable to be considered necessary.
23. Paid fairly
Being paid fairly means that event performers are paid in an amount based on a percentage of sales,
a guarantee (in writing or standard contract), or another mutually beneficial formal agreement.
Venues may also compensate performers by sharing an agreed upon portion of revenues received
through door fees along with drink or meal tickets that may fall below 1099 reporting requirements.
24. Performing arts organization operator
A performing arts organization operator is any entity (including a theatrical management business)
whose principal business activity is to create, produce, perform, and/or present live performances for
audiences in qualifying venues, including amphitheaters, concert halls, auditoriums, theatres, clubs,
festivals, and schools.
25. Principal
An officer, director, owner, partner, principal investigator, or other person within a participant with
management or supervisory responsibilities related to a covered transaction OR a consultant or other
person, whether or not employed by the participant or paid with Federal funds, who (1) Is in a
position to handle Federal funds; (2) Is in a position to influence or control the use of those funds; or,
(3) Occupies a technical or professional position capable of substantially influencing the
development or outcome of an activity required to perform the covered transaction.
26. Principal business activity
An entity's principal business activity is the line of business in which the entity has the greatest
combined amount of revenues, expenses, employees and work hours, assets, contracts, and other
business activity as compared to all its other lines of business.
27. Promoter
A promoter is an entity or individual that organizes live events by performing artists and carries out
tasks (other than as a vendor or service provider) such as renting a performance site, contracting with
artists or a production company for the performance, marketing events, and collecting gate receipts.
A promoter must have:
(1) a profit (net income or loss) interest in the live event’s presentation; and
(2) sole or joint rights to control the financial terms of the live event’s presentation, use of the
venue, and/or marketing of the event. Promoters may own and/or operate live venues or
contract for space and may include festival promoters or the promotion of live performing
arts events at outdoor, festival spaces that have all the required characteristics of a qualifying
venue.
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37. Talent representative
A talent representative is an agent or manager for whom no less than 70% of their business
operations (as measured with reference to their overall revenues, costs, devotion of time, contracts,
and other indicia of business activity) involves the representation or management of two or more
artists or entertainers. These operations must involve booking or representing musicians, comedians,
actors, or similar performing artists primarily at live events staged in venues or at festivals in
exchange for compensation founded on the number of tickets sold or a similar basis (including flat
fee guarantees).
38. Theatrical producer
A theatrical producer is an eligible individual or entity (including the entity that employs the
performers in a theatrical production) which has the responsibility for creating, producing, or
operating live theatrical productions and that have either a non-passive profit (net income or loss)
interest in a theatrical production (other than as a vendor or service provider) or sole or joint rights to
control a theatrical production. Theatrical producers are responsible for functions such as
negotiating debt or equity financing with lenders or investors, financial and tax reporting, and closing
the production. The term “theatrical producer” does not include individuals or entities that provide
financial support for a theatrical production without either a non-passive profit (net income or loss)
interest or the control described above.
39. Worker protection expenditures
An operating or capital expenditure which helps an entity adapt its business activities to comply with
guidance or requirements issued by a Federal, state, or local health authority related to the
maintenance of standards for sanitation, social distancing, or any other worker or customer safety
requirement related to the COVID-19 pandemic. Such expenditures must be incurred between March
1, 2020, and the date on which the COVID-19 national emergency declared by the President expires.
Worker protection expenditures may include the purchase, maintenance, or renovation of items such
as a drive-through window facility; a ventilation or air filtration system; a physical barrier such as a
sneeze guard; an expansion of additional indoor, outdoor, or combined business space; an onsite or
offsite health screening capability; and personal protective equipment.
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U.S. SMALL BUSINESS ADMINISTRATION
WASHINGTON, D.C. 20416
December 11, 2024
Dear Mr. Roddick:
Concert Investor, LLC (“Concert”) applied for a Shuttered Venue Operator Grant (“SVOG”)
claiming it met the eligibility requirements of a Live Performing Arts Organization Operator as
described in the SVOG statute, 15 USC § 9009a. SBA denied the application and Concert
challenged the denial in court. In a May 3, 2024 decision, the DC Circuit issued a ruling remanding
the matter back to the SBA to issue a new decision on Concert’s application.
Central to the Court’s ruling was concern about SBA’s application of the definition of Live
Performing Arts Organization Operator, specifically the interpretation of the word “produces”
within that definition. The SVOG statute includes the following definition:
The term “live venue operator or promoter, theatrical producer, or live performing
arts organization operator” means— (i) an individual or entity— (I) that, as a
principal business activity, organizes, promotes, produces, manages, or hosts live
concerts, comedy shows, theatrical productions, or other events by performing
artists . . .
15 USC § 9009a(a)(3)
In SBA’s initial explanation of the reasons for denial, SBA explained it did not consider Concert to
be a Live Performing Arts Organization Operator in part because Concert was not responsible for
all aspects of the live events on which Concert works. The Court indicated that this definition was
“inconsistent with the statutory language.” The Court instructed that “[a]n appropriate definition
must [ ] capture the significant financial, creative, and managerial role that live event producers
play from start to finish.” (Decision p. 10, citing Concert/Event Producer, Berklee Coll. of Music,
https://perma.cc/C8U9-W3YL). Through this new decision, SBA adopts such as definition and
continues to determine that Concert is not within the scope of the definition.
As an initial matter, the focus of this decision is on the term “produce” in the context of the SVOG
statute. In its administrative appeal, Concert claimed only that it “produces” concerts. (AR 660)
Concert also submitted a letter from its accountant saying that it is “solely engaged in the business
of producing live concerts.” (AR 368) Based on these statements, SBA will only consider if Concert
is qualified as a Live Performing Arts Organization Operator based on its role in the production of
live performing arts events.
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The Court instructed that SBA should define “produce” in the SVOG statute with reference to the
particular industry to which the statute is directed. (Decision p. 7) The SVOG statute is broadly
directed to the live performing arts industry. It offered grants to theatrical producers, operators of
venues, promotors, talent representatives and live performing arts organization operators relating to
“live concerts, comedy shows, theatrical productions, or other events by performing artists.” Based
on the Court’s direction, SBA believes it is appropriate to look at definitions of “produce” in
relation to the entertainment industry generally to best understand what Congress meant when using
“produce” in the SVOG statute.
Starting with dictionary definitions, the term “producer” is understood to be “a person who makes
the practical and financial arrangements needed to make a film, play, or television or radio
programme.” (Producer, Cambridge Dictionary,
https://dictionary.cambridge.org/dictionary/english/producer) In relation to creative work,
“produce” has meanings which include “to cause to have existence or to happen,” or “to compose,
create, or bring out by intellectual or physical effort.” (Produce, Merriam-Webster
https://www.merriam-webster.com/dictionary/produce)
Within the entertainment industry the term “produce” is typically associated with having a primary
role in the creation of a particular work. For example, Berklee College states that “[m]any different
people work together to make live events happen, but none have a greater impact on the outcome
than concert and event producers.” (Concert/Event Producer, Berklee Coll. of Music, supra)
Berklee College also emphasizes the broad role a producer plays across all stages of a live event
from beginning: “a concert and event producer is charged with guiding live events from ideation to
completion.” (Id.)
Meanwhile, the Producer’s Guild of America defines “producer” as the “individuals primarily
responsible for the origination and/or management of a motion picture's production and delivery.”
(Code of Credits, Producer’s Guild of America, https://producersguild.org/code-of-credits-feature-
films/#produced-by-producer. The role involves significant decision making across all stages of a
film’s production. (Id.)
The U.S. Bureau of Labor Statistics within the U.S. Department of Labor describes the role of a
producer as follows:
Producers make the business and financial decisions for a film, stage production, or
TV show. They raise money for the project and hire the director and crew, which
may include designers, editors, and other workers. Some producers also assist in the
selection of cast members. Producers set the budget and approve any major changes
to the project. They make sure that the production is completed on time, and they are
ultimately responsible for the final product.
(Producers and Directors, Occupational Outlook Handbook, U.S. Bureau of Labor Statistics,
https://www.bls.gov/ooh/entertainment-and-sports/producers-and-directors.htm#tab-2)
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In the context of live stage production, the producer is understood to mean the entity finding the
funding for the production, securing key creative staff, such as the play director and writer, and
making critical decisions relating to starting and ending the production. (See The Role of a
Producer in Theatre Explained, Royal George Theatre, https://www.theroyalgeorgetheatre.com/the-
role-of-a-producer-in-theatre-explained/; Theatrical Producer, Frequently Asked Questions (FAQs)
(Oct. 20, 2021) (Definition 38), https://www.sba.gov/sites/default/files/2021-10/10-20-
21%20SVOG%20FAQ%20FINAL_508_final.pdf) SBA’s program guidance also provides that
grant awards “are not available for service providers that support eligible entities,” such as
“companies that provide stages, lighting, sound, casts, and other support for live performing arts
events.” (FAQ No. 21)
Based on the foregoing, SBA determines that to “produce” a live event, an entity must demonstrate
primary responsibility for the creative, financial and managerial work required throughout all stages
of the live event. This definition does not mean that an entity must be the ultimate decision-maker.
If one entity formally has superior authority over another entity, but in practice takes a passive or
hands-off approach, allowing the other entity to play a primary role, the latter entity could be said to
produce the show. Nor does this definition mean that an entity must control all aspects of a show.
So long as an entity plays the primary creative, financial, and managerial role overall, it may
produce a show even if there are aspects of the show that it does not control. Finally, this definition
does not mean that only one entity can be said to produce a show. A show can have multiple
producers if their relationship with each other is akin to a partnership, rather than one dominant
over the other. As explained below, SBA finds that Concert has not demonstrated it has the primary
responsibility for the creative, financial, and managerial aspects of the events on which it works
required to be considered to “produce” the events on which it works.
With regard to the creative elements, the evidence does not suggest Concert plays a significant role
creating the musical elements of the show, which must be considered a central element of a live
music concert. Unlike a theatrical or movie producer, Concert does not hire the writers or live
performers of the music or pay them for their creative work. Concert has not shown it decides what
music will be performed at any concert or who will perform it. In the case of the Twenty-One Pilots
concert, Concert does not pay or employ the band for its creative work, creating and performing
music. Rather, the band pays and employs Concert.
With regard to other audio elements of the concerts, while the Lighting & Sound America article
discusses the work that Concert performs on the visual components of concerts in significant detail,
it conspicuously does not suggest that Concert plays a similar role in the audio aspects of concerts
except for syncing visuals with music. Notably, the article discusses an audio engineer who is
responsible for the audio components of the concerts, who appears to be independent of Concert.
The article describes the audio engineer as “the band’s longtime front of house audio engineer,”
which suggests that he works directly for the band. (AR 953) Concert submitted certain budget and
invoice records that use the word “audio” and similar language, but these materials are cryptic,
providing no detail on or explanation of the nature of the services at issue.
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Concert does show it plays a role in the creation of the visual elements for the concert. However, it
does so under a contract with and at the direction of the artists, such as Twenty One Pilots. Concert
explains that it “creates an artist approved concert design.” (AR 658) The Lighting & Sound
America article provided by Concert discusses the key role played by other people besides Concert
in the design of the visual elements of the show, including crediting Tyler Shapard 1 with
“codesigning” the tour, and quoting a member of Concert saying that “the artist and management
could decide which elements made it into the show.” (AR 723) Members of the band met with a
different company to provide initial “creative direction” for the shows. (Id.) Concert describes itself
as “part of the Twenty One Pilots team.”
It appears that the members of Twenty-One Pilots have creative responsibility for their own
concerts by creating and performing the music and deciding what visual elements make it into the
shows. (Id.) Concert pitches ideas to the band for the band to either accept or reject, and the band
itself made the ultimate creative calls. (AR 723, 728). Meanwhile, the Projection, Lights & Staging
News article states that Twenty One Pilots would “approach Concert Investor with a problem or an
issue” and that Concert would then “provide [it] with a solution.” (AR 967) The materials submitted
thus suggest that the bands for which Concert works are the primary creative architects of their own
shows, and that Concert merely implements the bands’ own creative visions. This limited creative
role in visual aspects of the live music concert is not sufficient establish that Concert has primary
creative responsibility for the concerts on which it works.
With regard to financial aspects of the live concerts, Concert once again fails to show it has primary
responsibility. Concert, for example, does not fund the tours, nor does it have the responsibility to
find funding for the tours. Concert itself states that “we do not invest any liquid capital into artists
bands or concerts.” (AR 658) In the context of “Theatrical Producers” and “Promoters” also defined
in 15 USC § 9009a(a)(3), SBA has determined that assumption of financial risk and control over the
financial terms of the live event is required to be the qualified entity. (See FAQ Definitions 27 2 and
38 3, supra) Here, the contract between Concert and Twenty-One Pilots describes a fixed payment
Concert will receive from Twenty-One Pilots for its work. (AR 705) Concert explains that it would
send invoices for its work which would be paid by the business manager for Twenty-One Pilots.
(AR 370) Concert’s fixed payment from invoicing the band does not demonstrate it is bearing the
financial risk typically associated with the role of producer in the entertainment industry. Instead, it
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seems that the financial risk of the success of any particular concert is on the band and/or the
concert promotors.
With regard to management of the live events, Concert does show that it contracts to take on a role
in the management of some concert support staff and the provision of equipment related to the
staging of the shows. (AR 704) While this role may involve a significant number of personnel and
large amount of equipment the specific context of the Twenty-One Pilots tour, the role alone does
not make Concert the “producer” of the Twenty-One Pilots tour. Concert only has these
responsibilities because they were delegated to Concert by Twenty-One Pilots, which pays all costs
associated with this work. By contract Concert is an independent contractor and not in a partnership
or joint venture with the band. The draft contract specifically states that Concert’s relationship with
the band “is that of an independent contractor” and that “nothing herein shall be deemed to
constitute the parties hereto as a partnership or joint venture.” (AR 708) Concert’s management role
is also limited to overseeing a portion of the staff and equipment necessary for the events. Concert
does not manage, for example, the performers themselves. Concert does not determine when and
where the performances will occur. The materials provided by Concert identify others as the agent
and manager of Twenty-One Pilots. (AR 752) As already noted, Concert sends it invoices to
Twenty-One Pilots’ business manager for payment. (AR 370) This indicates primary management
authority over Concert’s work, such as determining if costs were necessary and reasonable, rests at
a level above Concert.
Based on a review of the record, SBA determines the Concert has not demonstrated it has primary
responsibility for the creative, financial and managerial work required throughout all stages of the
live event. Concert does provide some materials calling it a “producer”, saying it “produces”, or
describing its work as “production”, but those are not persuasive in light of the issues described
above. It is not clear that these documents are representative of how terms such as “produce” are
used generally in the live entertainment industry, and Concert itself created many of these materials,
which diminishes their probative value. While the draft contract provided by Concert labels it a
“producer” of the Twenty One Pilots events, that draft contract is unsigned, and apparently was
never signed; it is unclear who drafted it, and Concert may have drafted the cited portions itself;
and, as detailed above, the responsibilities described in that contract are too limited to show primary
responsibility for the creative, financial, and managerial components of the concerts. Even
assuming that Twenty One Pilots drafted the contract, which is not evident, the fact that a single
band called Concert a producer has relatively little probative value as to how Concert is regarded in
the industry more broadly, as the band’s view may be an unrepresentative outlier. Meanwhile, the
Live Nation contract states that Concert furnished unspecified “production services”, without
providing detail as to what these services entailed. (AR 986). This vague and ambiguous phrase
does not necessarily show that Concert is the primary creative, financial, and managerial decision-
maker for the concerts on which it works.
Concert’s self-created invoices describing its work as “production” are similarly not persuasive
based on the evidence of Concert’s limited overall responsibilities for the live events. These
invoices provide no substantive information about the actual work that Concert performs, and were
5
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created by Concert itself. Likewise, Concert’s bank statements use the word “production,” but
provide no information about the nature of the actual work that Concert performs.
Additionally, Concert’s Certified Public Accountant (CPA) writes that Concert is “in the business
of producing live concert events.” (AR 368) However, there is no indication that the CPA, as an
accountant, is qualified to opine on the nature of Concert’s business, the meaning of the word
“produces” as used in the SVOG statute, or whether Concert “produces” concerts within the
meaning of the statute. Moreover, the CPA does not explain how she reached her conclusion,
instead asserting it in a conclusory way. 4
The two magazine articles that Concert submitted use language such as “produces” in reference to
Concert, but these articles appear to be based only on interviews with Concert’s own owners and
persons with whom they have business relationships. Concert’s own owners and business associates
are not impartial and have incentives to use exaggerated and aggrandizing language in
characterizing what Concert does. Additionally, there is no evidence in the record as to how widely
read or influential these magazines are in the live entertainment industry, such as evidence of their
circulations, so it is not clear that they use terms such as “produce” in a manner that is reflective or
representative of how these terms are understood in the live entertainment industry more broadly.
Other materials refer to Concert’s owners with titles that include the word “producer.” Merely
having the word “producer” somewhere in one’s title is not enough to show that one is understood
in the industry to produce a show. The indicia of industry meaning that SBA considered show that
individuals in the entertainment industry often have the word “producer” somewhere in their title
(e.g., Associate Producer, Line Producer) but are not regarded within the industry as “producing”
the events on which they work.
Based on the materials submitted, SBA would consider Twenty-One Pilots to be the “producer” of
the concerts at issue in this matter and Twenty-One Pilots could be eligible as a Live Performing
Arts Organization Operator if it applied and otherwise met the eligibility requirements of the SVOG
statute. Twenty-One Pilots creates the music, determines what music will be performed, and
determines when and where it will be performed. If it wants expressive visuals elements to
accompany that music, it hires entities such as Concert Investors to assist with those specific
elements of their shows. The financial risk of performing any shows rest on Twenty-One Pilots
and/or the promotors it contracts with for any particular performance. Final responsibility for
ensuring adequate staffing and equipment at the shows rests with Twenty-One Pilots and its own
managers, who, in this case, delegated a portion of that work to Concert Investors under a fixed
price contract. Had Twenty-One Pilots received a SVOG award based on the revenue from its tour,
it could have used this to pay its contractors, such as Concert.
Concert also argued in its Complaint that SBA violated the law by making SVOG awards to entities
similar to Concert. With regard to Beaver Productions, Inc., Matt Davenport Productions, Activated
Events, and Blackbird Production Partners, LLC, SBA already explained that these entities were not
viewed as similar to Concert. In its appeal, Concert made no argument that SBA was unjustified in
4
Notably, the FAQs advised that applicants may submit CPA comfort letters simply “to substantiate their reported
revenue,” not to opine on the nature of their businesses. (FAQ No. 231).
6
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treating them differently, thus waiving the issue. With regard to Digital Sound Systems, Inc., Silent
House Productions, and ClearWing Productions, SBA has previously stated that the determination
that each was eligible was not supported by a further review of the applications. These entities are
in the recoupment process, which requires them to be given certain due process rights to challenge
SBA’s determination and seek review of SBA’s conclusion. No recoupment can occur until those
processes are fully concluded.
This is the final decision of SBA.
We encourage you to visit www.SBA.gov for additional small business funding options you may
be eligible for. Also, SBA’s Resource Partner network, including SCORE Mentors and hundreds
of Small Business Development Centers, Women’s Business Centers and Veteran Business
Outreach Centers across the nation, is available to provide free assistance and counseling to
small business owners and entrepreneurs.
Sincerely,
Darlene Smith
Director(a), Shuttered Venues Operator Grant
U.S. Small Business Administration
7
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Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 503 of 508
Producing Partnership Criteria
(as of 9.14.18)
The Producing Partnership Panel (the “PPP”) shall be guided by the following criteria in determining whether two producers
should be deemed to be a bona fide “Producing Partnership.” The ultimate decision regarding whether two producers may be
found to be a bona fide Producing Partnership rests in the sole discretion of the PPP. These criteria may be revised, as
necessary, as producing practices change over time.
A. Establishment of a Producing Partnership: Two producers may be found to be a bona fide Producing Partnership if the
following criteria are met:
1) each producer has consistently claimed the other as her or his producing partner when working on the same motion
picture(s); AND
2) the producers own or are employed by the same production company (not a “single purpose entity,” but an ongoing
company) or otherwise have a partnership agreement that has been legally established and publicly recognized; AND
3) each producer, as part of the claimed partnership:
(i) has received “Producer” or “Produced By” credit on at least two (2) feature-length motion pictures that were
commercially released AND has had an established producing partnership with the claimed partner for at least
five (5) years prior to the date the producing partnership petitions were submitted to the PGA;
AND
(ii) has proven that she/he has, at least once in her/his career, functioned as a bona fide “Producer” or “Produced
By” on her or his own merits.1
B. Recognition of Producing Partnership: Once a Producing Partnership has been approved, the partnership will be
recognized by the PGA on every motion picture submitted for the Producers Mark or awards eligibility where both
producers are credited as “Producer” or “Produced By,” provided that each member of the Producing Partnership reaffirms
on her or his Individual Producer Eligibility Form or in writing to the PGA that she or he remains a member of the
Producing Partnership (there is no need to re-petition the PPP for each motion picture after receiving initial approval).
Either member of the Producing Partnership also may continue to produce films on her/his own individually; however,
neither member of the Producing Partnership may claim to have a partnership with any other producer unless and until the
recognized Producing Partnership has been terminated in accordance with Section C.
C. Termination of Producing Partnership: The Producing Partnership shall be deemed terminated when either:
1) there is a public press announcement of the partnership’s termination OR
2) the PGA receives written notice of such termination from either member of the Producing Partnership.
D. New Producing Partnership: A producer who previously has been determined part of a Producing Partnership by the PPP
may not petition the PPP for recognition of a new partnership until either:
1) there has been a public press announcement of the previous partnership’s termination, OR
2) it has been at least one (1) year since the PGA received written notice of the previous partnership’s termination.
1
If both producers have only ever worked together as a team, then each producer must submit a detailed, good-faith declaration
verifying his or her individual producing contributions to the films on which they each received a “Producer” or “Produced By” credit.
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U.S. SMALL BUSINESS ADMINISTRATION
WASHINGTON, D.C. 20416
March 23, 2022
Dear Mr. Roddick:
Based on assertions Concert Investor, Inc. (“Concert Investor”) made in
Concert Investor, Inc. v. Small Business Administration et al., Civil Action No. 21-
3150 (D.D.C.), I directed the Small Business Administration (“SBA”) to rescind
its decision to decline Concert Investor’s application for a Shuttered Venue
Operators Grant (“SVOG”) to issue a new decision after further review of the
administrative record. After further review, I have concluded that SBA’s original
November 2, 2021 decision was correct, and that Concert Investor is not eligible
for a SVOG.
Despite Concert Investor’s website identifying it as a “[t]heatrical
[p]roducer,” by letter dated August 11, 2022, Concert Investor appealed SBA’s
July 10, 2021 denial of Concert Investor’s request for a SVOG as a theatrical
producer and requested that SBA award Concert Investor a SVOG as a live
performing arts organization operator. A live performing arts organization
operator is, in part, “an individual or entity (I) that, as a principal business
activity, organizes, promotes, produces, manages, or hosts live concerts, comedy
shows, theatrical productions, or other events by performing artists…” 15 U.S.C.
§ 9009a(a)(3)(A)(i). SBA has consistently defined a live performing arts
organization operator in the definition section of its frequently asked questions,
as:
any entity (including a theatrical management business) whose
principal business activity is to create, produce, perform, and/or
present live performances for audiences in qualifying venues,
including amphitheaters, concert halls, auditoriums, theatres, clubs,
festivals, and schools.
See, e.g., Shuttered Venue Operators Grants, Frequently Asked Questions,
March 22, 2021 ¶ 16, publicly available at:
https://www.sba.gov/sites/default/files/2021-03/3-22-
21%20SVOG%20FAQ%20FINAL-508.pdf (last accessed Feb. 24, 2022);
Shuttered Venue Operators Grants, Frequently Asked Questions, October 20,
2021 ¶ 24, publicly available at https://www.sba.gov/sites/default/files/2021-
10/10-20-21%20SVOG%20FAQ%20FINAL_508_final.pdf (last accessed Feb. 24,
2022).
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To determine whether Concert Investor is a performing arts organization
operator, I examined the administrative record including (1) your appeal letter
dated August 11, 2021; (2) the draft red-line contract between Concert Investor
and Twenty øne piløts which you represented describes the services Concert
Investors typically provides its clients; and (3) an August 13, 2021 letter which
you submitted entitled “Venue Staff”.
In the appeal letter, you assert that “Concert Investor is a small and
independently owned company . . . comprised of two owner-operators with an
evolving crew of independent contractors and vendors.” Concert Investor came
into existence in 2012 because of its owner-operators’ prior music venue in
Nashville, 12th & Porter. There, the owner-operators designed “massive lighting,
audio and video rigs” for a concert conducted by a band known as Twenty-øne
piløts. The band subsequently “hired Concert Investor to create and develop and
execute a similar intricate live music experience that they could take . . . out on
their first headlining tour in 2013.”
The non-final red-line copy of Concert Investor’s agreement for 2018 to 2019
with Twenty-øne piløts—titled Standard Touring for Equipment and Services—
identifies Concert Investor as an independent contractor that provided
equipment and related services to Twenty-øne piløts. Twenty-øne piløts was
responsible for the transportation of the equipment and personnel retained by
Concert Investor as well as the lodging of and per diem rates for the personnel.
The draft agreement also purports to render Twenty-øne piløts liable for any
damage to the equipment that Concert Investor provides should any damages
occur.
Although the sample agreement you provide does not state the scope of
equipment and related services that Concert Investors provides, you state in the
appeal letter that:
Our unwavering mission has been to produce the most dynamic,
efficient and innovative concert productions for some of the world’s
most talented and recognized artists . . . . While our independent
company does not own or rent equipment and does not have a
warehouse, we are the architects and orchestrators of individual
tours. As the initial step, Concert Investor creates an artist-approved
concert design before we source and hire the vendors, engineers,
electricians, programmers and technicians for each of our
productions or tours.
Your August 13, 2021 letter states that “every venue that Concert Investor
operated in was nationally recognized in 2019 as a professional music venue,”
“had a box office manager and security staff,” “was booked by a professional
talent agency[,] and a majority of the venues were operated and promoted by Live
Nation.” You also provided a number of photographs which appear to depict the
2
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Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 506 of 508
lighting and sound rigs that Concert Investors contracts with third parties to
provide and run during concerts.
Based on this information and the other submissions provided, I conclude
that Concert Investor, at best, serves the needs of touring concert artists for
lighting and sound, designing the plots and obtaining subcontractors to install
and operate the necessary equipment during a concert. 1
This is insufficient to meet the definition of a performing arts organization
operator. Concert Investor does not create, perform, or present live performances
– its client/artists do. Concert Investor also does not organize or host live
concerts. According to your August 13, 2021 letter, a different entity is
responsible for that function. 2
In the appeal letter, you classify Concert Investor as a “producer,” but the
administrative record establishes that Concert Investors is a service provider for
lighting and sound. SBA specifically addressed the eligibility of concerns like
Concert Investors in its Frequently Asked Questions:
21. Are service and support companies that provide stages,
lighting, sound, casts, and other support for live performing arts
events or which showcase performers or pre-packaged
productions to potential buyers eligible to apply for an SVOG?
1
You have provided copies of several invoices which you submitted to your clients in 2019.
However, all of these invoices are for “production reimbursement.” There is nothing in these
documents which show that Concert Investor provided any services beyond those connected with
light and sound.
2
As previously stated, Concert Investor originally applied for a SVOG as a theatrical producer.
Definition 38 in SBA’s Frequently Asked Questions defines theatrical producer as follows:
38. Theatrical producer
“A theatrical producer is an eligible individual or entity (including the entity that
employs the performers in a theatrical production) which has the responsibility
for creating, producing, or operating live theatrical productions and that have
either a non-passive profit (net income or loss) interest in a theatrical production
(other than as a vendor or service provider) or sole or joint rights to control a
theatrical production. Theatrical producers are responsible for functions such as
negotiating debt or equity financing with lenders or investors, financial and tax
reporting, and closing the production...”
While my determination in this reconsideration is limited to Concert Investor’s claim to be a live
performance art organization operator, it does not appear that Concert Investor was a theater
producer either. Concert Investor was not a theatrical producer because (a) it did not have
responsibility for creating, producing or operating the production, (b) it did not have either a
non-passive profit interest in the concert productions or the rights to control the productions, (c)
it did not negotiate financing, (d) it did no financial or tax reporting and (e) it had no authority
to close productions.
3
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Case 1:21-cv-03150-CJN Document 132-1 Filed 03/20/26 Page 507 of 508
No. The Economic Aid Act is designed to assist only those eligible
entities identified in the statute. SVOGs are not available for service
providers that support eligible entities.
The evidence and guidance recited in this letter shows that the limited
services which Concert Investor provided for its client renders it ineligible for a
SVOG.
Concert Investor has maintained in its lawsuit, Concert Investors v. SBA,
Civ. A. No. 21-3150-RDM (D.D.C.) , that SBA awarded SVOGs to seven alleged
competitors based on information and representations on those entities’
respective websites: (1) Beaver Productions, Inc.; (2) Matt Davenport
Productions, (3) Digital Sound Systems, Inc., (4) Activated Events, LLC, and (5)
Silent House Productions, (6) Blackbird Production Partners, LLC, and (7)
ClearWing Productions Arizona, LLC. See Compl., ECF Nos. 1 & 23.3 I have
examined these concerns to see if they are similar to Concert Investor.4
First, unlike Concert Investor LLC, Beaver Productions, Inc.’s website
(https://beaverproductions.com/) (last accessed Mar. 23, 2022) identifies it as
“promoting and producing major concerts and tours.” Concert Investors does not
claim to promote concerts.
Second, Matt Davenport Productions applied for a SVOG as a theatrical
producer. As its website (https://mattdavenportproductions.com/) (last
accessed Mar. 23, 2022) indicates, Matt Davenport Productions provides original
content, music composition and arrangement, creative development, costuming,
directing, choreography, project management and many other services in
3
In December 2021, Concert Investor’s initial Complaint listed five alleged competitors: (i) The
Relay Group; (ii) Matt Davenport Productions; (iii) Andy Reuter; (iv) SRae Productions; and (v)
Silent House Productions. See ECF No. 1. While the SBA was researching and analyzing the
five alleged competitors listed in the initial Complaint, in February 2022,Concert Investor
amended its Complaint to eliminate three alleged competitors and added additional alleged
competitors for a total of seven. ECF No. 23, ⁋ 27. Specifically, the Amended Complaint
eliminated the Relay Group, Any Reuter, and SRae Production as alleged competitors, and added
(i) Beaver Production, (ii) Digital Sound System; (iii) Activated Events; (iv) Blackbird Production
Partners; and (v) Clear Wing Production Arizona. ECF No. 23, ⁋ 27. Only Matt Davenport and
Silent House Production remained from the initial Complaint. Id. Concert Investor’s replacing
and adding alleged competitors caused delays and disrupted the SBA’s orderly review and
analysis of Concert Investor’s overall application, including its claims that it is similarly situated
with the alleged comparators.
4 Each applicant’s submission is in large part, proprietary, due to the nature of the information
submitted by the entity for approval purposes. Although I reviewed each of the competitors’
propriety and no-proprietary information, I have endeavored to share only non-proprietary
information and my reasoning for the award of each entity.
4
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addition to lighting and sound. Concert Investor does not provide this range of
services.
Third, Activated Events, LLC is a premier independent event production
company that produces a wide range of large-scale festivals and events. Example
of events and festivals which Activated Events produced include Coastal Country
Jam, Boots In The Park, Wet Electric, Fiesta De Taco, BeachFront Cinema, and
Starlite Movies. As a producer, Activated Events was involved in all aspects of
these festivals. Concert Investor, on the other hand, is involved solely with
lighting and sound.
Fourth, Blackbird Production Partners, LLC is a full-service production
company which offers budget and schedule oversight, shop and vendor
coordination, trucking, storage, load-in and staffing. As the website says,
“Blackbird Production Services, Ltd provides full service technical supervision to
the artistic and creative teams, management staff, and technicians involved in
bringing projects to fruition.” See the website at
http://www.blackbirdproduction.nyc/home2.html (last accessed Mar. 23,
2022).
Other SBA personnel and I are reevaluating and reconsidering the eligibility
of the other remaining listed competitors: Digital Sound Systems, Inc., Silent
House Productions and ClearWing Productions. If we determine that the awards
to those three companies were improvidently granted, we will rescind them. I
thank you for bringing these matters to our attention.
However, to be clear, any potential mistaken award that SBA might have
granted to an ineligible company has no bearing on Concert Investor’s own
eligibility or the lack thereof. I determined Concert Investor’s eligibility based on
the information provided and independently from any consideration given to the
alleged competitors. At base, the limited services which Concert Investor
provides do not meet the requirements of Shuttered Venue Operator’s Grant
eligibility.
This is the final decision of SBA.
Sincerely,
Matthew Stevens
Director, Shuttered Venue Operators Grant Program
U.S. Small Business Administration
5
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